A site dedicated to culture with a focus on popular music; from the fringes to the forefront.
Showing posts with label 1970. Show all posts
Showing posts with label 1970. Show all posts
Wednesday, July 16, 2025
Happy 55th Anniversary to Creedance Clearwater Revival's Cosmo's Factory
Today marks the 55th Anniversary of Creedance Clearwater Revival's Cosmo's Factory.
Monday, July 7, 2025
Happy 55th Anniversary to The Stooges Fun House
Today marks the 55th Anniversary of The Stooges sophomore release Fun House.
Sunday, March 30, 2025
Happy 55th Anniversary to Miles Davis' Bitches Brew
On this day 55 years ago, Miles Davis released one of his most iconic albums, Bitches Brew.
Labels:
1970,
Anniversary,
Funky Stuff,
jazz,
Miles Davis,
The Masters
Wednesday, December 20, 2023
Album Review: The Grateful Dead - Dave's Picks 48
The Grateful Dead
Dave's Picks 48
****and1/2 out of *****
That said, this series still exists for a reason, it continues to unearth rare gems like this release, which is the best of the four released this year. Dave's 48 contains the full show from November 20, 1971, at Pauley Pavilion UCLA in Los Angeles, California and a single disk from October 24, 1970, at Kiel Opera House in St. Louis, Missouri.
Labels:
1970,
1971,
Archive,
Dave's Picks,
Grateful Dead,
GratefulDead,
Overflow Review,
Video
Friday, June 30, 2023
Full Show Friday: Free - Granada , Manchester, England July 24th 1970
We search the murky back waters of youtube to find full concerts and post them to the site weekly, come back every seven days to help us celebrate Full Show Friday's. These shows are of varying quality and may not be here for long so enjoy them while you can...As always, please support the artist every which way, but especially by seeing them live (if they are still playing)...This week...Free!
0:10 Ride on a Pony
4:30 Mr. Big
10:40 Songs of Yesterday
15:45 I'll be Creepin
20:25 All Right now
A brief show from Free back in 1970 this week, but fear not, next week you are getting two full concerts...Pro Shot, Pro Sound, Set list below. Enjoy!
Labels:
1970,
Friday,
Full Concert,
Full Show Friday,
Video
Tuesday, March 9, 2021
Beginners Guide To The Grateful Dead - Part Two
There is a lot of music out there and some artists have massive catalogs which can paralyze new listeners with overwhelming choices. This Beginners Guide series will attempt to give new listeners entry points to some of these artists. Today we will look at: The Grateful Dead.
This post was very long so we are breaking it into two parts. This first offering will discuss the five places RtBE feels are the best entry points to the band. The follow up post will dive into the different eras of the Dead and pull out some well known and underappreciated shows for further listening.
In part one RtBE discussed live shows and albums which will ease a listener into the band. The group has such a wide range of music/sound/shows that RtBE went through the years they were active and pulled out specific highlights. While this gets long, it is literally the tip of the iceberg. The Internet Archive is a digital gold mine for amazing Grateful Dead shows, but below are are choices throughout the years for highlights and further listening.
Let's do a deeper dive now...
Thursday, March 4, 2021
Beginners Guide To The Grateful Dead - Part One
There is a lot of music out there and some artists have massive catalogs which can paralyze new listeners with overwhelming choices. This Beginners Guide series will attempt to give those new listeners entry points to some of these artists. Today we will look at: The Grateful Dead.
This post became very long so we are breaking it into two parts. This first offering will discuss the five places RtBE feels are the best entry points to the band. The follow up post will dive into the different eras of the Dead and pull out some well known and underappreciated shows for further listening.
In the early days of the Covid-19 pandemic here in NYC the soothing sounds of The Grateful Dead helped ease my mind during a tumultuous sense of loss and uncertainty. Shortly after lock down, a co-worker reached out and mentioned they wanted more information on the band as they were just discovering them.
That request led to this series, so it makes sense that the good ol' Grateful Dead should be the first group we discuss when it comes to Beginners Guides. RtBE will take an extensive look into their career with a focus on new listeners and will provide links to youtube when possible, but feel free to buy all of the albums from the band themselves. We also wrote about the band in our Masters series previously ranking our favorite studio albums, official live releases and more.
Also feel free to check out the amazing Internet Archive with its phenomenal collection of Grateful Dead shows. In the early days of this site (2010-2011) we wrote on most Monday's about random Dead shows, we covered 46 of them, and they are in a list on the archive here and you can scroll back and read our takes if you want.
Almost everything you could want is on the archive and usually with multiple recordings from the groups insanely dedicated fan base. The truth is the band could hit amazing highs any night they played and while they have the reputation of drugged out hippies, the quality of their musical output remained incredibly consistent and excellent for the majority of their careers.
We will dissect the bands shifting sound in part two of this post, for now let's start with the basics. Click the read more button:
TL:DR Version:
Start with, in order:
1. Cornell 1977
Labels:
1970,
1972,
1977,
Archive,
Beginners Guide,
Grateful Dead,
GratefulDead,
InternetArchives,
RTBE Personal Favorites,
streaming,
The Masters,
Video
Wednesday, November 20, 2019
The Masters: 50's & 60's Early Rock & Roll - Best Live Albums
RtBE loves listening to new music and prides itself on keeping tabs on up and coming artists but in 2019 we are also going to have a monthly spotlight on legendary artists who we really love. We are calling this series The Masters. It will focus on the best albums, live records, transcendent shows and other odd ways we appreciate the artists and their contribution to music, culture and our formation.
For October The Masters focuses on Early Rock & Roll
Then again, this list is kind of pointless as EVERYTHING was live back then, so the ripping King Curtis saxophone blare, or Lloyd Price bellow or DJ Fontana snare slap was captured as is. Even though almost all of their studio records were recorded live in the studio, some of the classic concerts from that era are worth revisiting.
We cover a few we left off our list of top studio work, but some of them also pop up. Remember these lists are made to start conversations, so without further ado let's go up, down, down up, any way you wanna let it roll, yeah, yeah, yeah...
Unlike our previous list this month which was more of a chance to just discuss the legends and their greatest hits, since they never focused on albums during their heydays and were only out for the hits, this list will be official live shows/releases from those artists and others.
Then again, this list is kind of pointless as EVERYTHING was live back then, so the ripping King Curtis saxophone blare, or Lloyd Price bellow or DJ Fontana snare slap was captured as is. Even though almost all of their studio records were recorded live in the studio, some of the classic concerts from that era are worth revisiting.
We cover a few we left off our list of top studio work, but some of them also pop up. Remember these lists are made to start conversations, so without further ado let's go up, down, down up, any way you wanna let it roll, yeah, yeah, yeah...
Labels:
1963,
1964,
1968,
1970,
Country,
Elvis,
Funky Stuff,
Jerry Lee Lewis,
live album,
Soul,
The Masters,
Video
Friday, September 27, 2019
Full Show Friday: The Who 7/7/70 - Tanglewood
We search the murky back waters of youtube to find full concerts and post them to the site weekly, come back every seven days to help us celebrate Full Show Friday's. These shows are of varying quality and may not be here for long so enjoy them while you can...As always, please support the artist every which way, but especially by seeing them live (if they are still playing)...This week...The Who!
For September The Masters Focuses on The Who
Let's end the months focus on one of RtBE's personal favorites with a show from one of their most successful years.
1970 was a big year for The Who, riding high on Tommy and getting ready for it's followup. Today is their July 7th Show at Tanglewood in Massachusetts. The band is rocking as always and the video is provided by the Music Vault. Pro shot and Pro Sound, with full set list below.
Enjoy:
Keith Moon - drums, percussion, vocals
Labels:
1970,
Friday,
Full Concert,
Full Show Friday,
RTBE Personal Favorites,
The Masters,
The Who,
Video
Wednesday, September 18, 2019
The Masters: The Who - Best Live Albums
RtBE loves listening to new music and prides itself on keeping tabs on up and coming artists but in 2019 we are also going to have a monthly spotlight on legendary artists who we really love. We are calling this series The Masters. It will focus on the best albums, live records, transcendent shows and other odd ways we appreciate the artists and their contribution to music, culture and our formation.
For September The Masters focuses on The Who.
So let's get to their top five live albums below. As a reminder this list is meant to start conversations, not end them....
A band that was a force of nature. In their prime The Who were a must catch live act. From the magical timing of the sun coming up at Woodstock as if it was a light show to the story about Monterrey Pop and the rift between Jimi Hendrix and The Who which is a classic...
Townshend says “I’ve heard Roger talk about it as a jam session, but it wasn’t a jam session. It was just Jimi on a chair playing at me. Playing at me like ‘Don’t f—k with me, you little sh-t.’”
The musical quarrel came down to Townshend’s insecurity over The Who playing after Jimi Hendrix at Monterey, a gig that he considered to be a “critical concert.” Attempting to negotiate with Jimi didn’t go well, as Hendrix said “that’s not what you really mean. What you really mean is that you don’t want me to go first. You want to be first up there with the guitar smashing,” to which Townshend replied “Jimi, I swear, that’s not what it’s about.”
In the end, the discussion cooled down and Hendrix suggested a coin toss to determine who would go first and The Who came out on the winning side of that toss.Watching Hendrix’s performance later from the crowd with Mama Cass, she told Townshend, “he’s stealing your act” and Townshend said “no, he’s not stealing my act – he’s doing my act.” Explaining further, Townshend says “for me, it was an act and for him, it was something else. It was an extension of what he was doing.”
They have memorable live moments, both good and bad and as a band continue to tour with two of the original members. While their hey day is clearly behind them, their recent past gets some love on our live albums list below. RtBE was not alive to catch the group as a four piece but we have caught them a few times as well as variations of their work and love every minute of it.
So let's get to their top five live albums below. As a reminder this list is meant to start conversations, not end them....
Labels:
1968,
1970,
2003,
2013,
Bass,
Drums,
Great Guitarist,
Live,
live album,
The Masters,
The Who,
Video
Wednesday, August 14, 2019
The Masters: Neil Young - Best Live Albums
RtBE loves listening to new music and prides itself on keeping tabs on up and coming artists, but in 2019 we are also going to have a monthly spotlight on legendary artists who we really love. We are calling this series The Masters. It will focus on the best albums, live records, transcendent shows and other odd ways we appreciate the artists and their contribution to music, culture and our formation.
For August The Masters focuses on the great Neil Young.
Live music is the best thing out there. Being caught in the moment is religion. Palpable vibes of healing and energy are transmitted and shit...gets...real. This month's focus, Neil Young has been following his musical muse from soft acoustic one man shows to huge loud electric raging his whole career.
We already discussed best studio albums and will get to our favorites with Crazy Horse next week, but now it is the live show. Having seen Uncle Neil live in various formations this was a fun one to revisit. There have been a bunch of recent archive releases, and there promises to be even more in the future, which could alter this collection but this is how we feel now.
Labels:
1970,
1973,
1979,
1991,
acoustic,
Great Guitarist,
Live,
live album,
Miles Davis,
Neil Young,
Noiserock,
The Masters,
Video
Wednesday, August 7, 2019
The Masters: Neil Young - Best Studio Albums
RtBE loves listening to new music and prides itself on keeping tabs on up and coming artists but in 2019 we are also going to have a monthly spotlight on legendary artists who we really love. We are calling this series The Masters. It will focus on the best albums, live records, transcendent shows and other odd ways we appreciate the artists and their contribution to music, culture and our formation.
For August The Masters focuses on Neil Young.
Uncle Neil is an artist who constantly follows the muse for both good and bad. Not everything has been great or even good (see his early and mid 80's output) but when the creative stars align he has produced some of the best classic rock tunes, which will live on forever.
A songwriter who oscillates between screaming loud riffs and acoustic folk ballads Neil touches on all genres and sounds. RtBE tends to lean towards his louder/heavier side, and for this list we are leaving out all of his albums with Crazy Horse. This is done because basically our personal preferences would put five of those albums in this list so we wanted to separate them out with their own post coming later this month.
Below we are picking Neil Young's best studio work, (minus the Horse, that list can be found here), but like lots of artists in our Master series there will be excellent albums left out. As always this list is a discussion starter, not a final statement on the matter. Let's dig in...
Labels:
1970,
1974,
1975,
1978,
1989,
album art,
Great Guitarist,
Neil Young,
RTBE Personal Favorites,
The Masters,
Video
Wednesday, July 10, 2019
The Masters: The Grateful Dead - Top Five Studio Albums
RtBE loves listening to new music and prides itself on keeping tabs on up and coming artists but in 2019 we are also going to have a monthly spotlight on legendary artists who we really love. We are calling this series The Masters. It will focus on the best albums, live records, transcendent shows and other odd ways we appreciate the artists and their contribution to music, culture and our formation.
For August The Masters focuses on The Grateful Dead.
While the other months of The Masters series has allowed RtBE to focus on artists we love but haven't had the opportunity to highlight, this month is a bit different. Before the Monday Dylan Cover Series began, we used to focus on Grateful Dead shows every Monday for the first year or so of the site. Here is one example from the past as we have written a good deal about them for the site, but really wanted to include them in this new series.
It is no coincidence we are focusing on the Dead during July, they are this sites vote as America's best band and they were the ultimate summer attraction with their touring hoards of Dothrak...err Dead Heads. While in the past we have spent time on individual shows (which may come up when we get to the live album post) today we are going to tackle studio albums which according to every fan of the bands (except the sites friend Lindsay) agree is not their strongest work.
The truth is, even from their earliest days the Grateful Dead always over did things in the studio, whether from the producers idea (#5 on our list) or by their own choice (#4 and #3 on our list) the band just couldn't control themselves. Some would argue they couldn't control themselves out of the studio either, but that is a different post.
The truth is, even from their earliest days the Grateful Dead always over did things in the studio, whether from the producers idea (#5 on our list) or by their own choice (#4 and #3 on our list) the band just couldn't control themselves. Some would argue they couldn't control themselves out of the studio either, but that is a different post.
That said, the band had a long and winding career with many musical phases and it was fun to go back and listen to their studio albums to put this list together. So let's start "Truckin'"....As always, these lists are designed to start conversations, not end them.
Labels:
1968,
1969,
1970,
1977,
acoustic,
Grateful Dead,
GratefulDead,
Great Guitarist,
RTBE Personal Favorites,
The Masters,
Video
Wednesday, May 22, 2019
The Masters: James Brown - Best Live Albums
RtBE loves listening to new music and prides itself on keeping tabs on up and coming artists but in 2019 we are also going to have a monthly spotlight on legendary artists who we really love. We are calling this series The Masters. It will focus on the best albums, live records, transcendent shows and other odd ways we appreciate the artists and their contribution to music, culture and our formation.
For May The Masters focuses on James Brown.
The Godfather himself, James Brown. He is the visionary artist who helped invent funk and hip-hop as he floated through the amazingly influential waters of time and his mind. Mr. Please Please Me is iconic and moved from The Famous Flames to Soul Brother #1 to the Godfather with ease as he aged.
He however joins the likes of Miles when RtBE is conflicted about the art and the artist. Longform collected just a few pieces on him, but it is safe to say we are confused with our love for the mans music and thoughts on his personal life. That said, we wrote about our feelings on the man when he passed away for Glide as he had a huge influence on our musical ears.
Today we focus on his live albums, and while we ranked his studio recordings already this month, this is where he really butters the biscuits. When RtBE goes to the James Brown collection nine times out of ten it is for one of these records. That said there is always a bit of controversy with Brown, were all of these actually recorded live? Hmmm...
Any which way let's get to it, below we rank the top five James Brown live records. As always, these lists are designed to start conversations, not end them.
Labels:
1963,
1968,
1970,
1971,
Funky Stuff,
James Brown,
Live,
live album,
Soul,
The Masters,
Video
Wednesday, April 17, 2019
The Masters: The Rolling Stones - Best Live Albums
RtBE loves listening to new music and prides itself on keeping tabs on up and coming artists but in 2019 we are also going to have a monthly spotlight on legendary artists who we really love. We are calling this series The Masters. It will focus on the best albums, live records, transcendent shows and other odd ways we appreciate the artists and their contribution to music, culture and our formation.
For April The Masters focuses on The Rolling Stones.
For April The Masters focuses on The Rolling Stones.
Live music is the best thing out there. Being caught in the moment is religion. Palpable vibes of healing and energy are transmitted and shit...gets...real. For this month's focus, The Rolling Stones are one of the best live bands in the world, but their studio albums get more respect than any live records and with reason.
While the the group has released a bunch of live records, throughout their career they acted more as stop gaps and contract fillers than devastating/must hear shows. Moments may feel transcendent but this is a group who managed to get the most out of their premier studio work and a lot of their live albums fall into the "release so we can stave off a studio record" category.
While the the group has released a bunch of live records, throughout their career they acted more as stop gaps and contract fillers than devastating/must hear shows. Moments may feel transcendent but this is a group who managed to get the most out of their premier studio work and a lot of their live albums fall into the "release so we can stave off a studio record" category.
However, things have been changing over the last ten years as their archives have opened up and some great sets/shows/performances have been officially released to the world through the vault series and other venues. Longtime fans have had bootlegs of these for years, but now they get better quality and blessings from the band.
Below RtBE ranks their best five live albums, so let's get to it.
Below RtBE ranks their best five live albums, so let's get to it.
As always, these lists are designed to start conversations, not end them.
Labels:
1969,
1970,
1971,
1972,
1973,
1978,
Live,
live album,
Rolling Stones,
The Masters,
Video
Friday, August 17, 2018
Full Show Friday: Santana 8/18/70 Tanglewood Lenox, MA
We search the murky back waters of youtube to find full concerts and post them to the site weekly, come back every seven days to help us celebrate Full Show Friday's. These shows are of varying quality and may not be here for long so enjoy them while you can...As always, please support the artist every which way, but especially by seeing them live (if they are still playing)...This week...Santana!
There are few bands that evoke outdoor summer sunshine fun better than Santana. Almost on this exact day 48 years ago this killer concert went down in Tanglewood. Holy Moley, this is a gem.
Santana is another one who whenever he toured seemed to play SPAC in the summer, so much so that our first time catching him was when we got a $10 ticket because he couldn't put asses in the seats anymore!
It certainly didn't effect his playing from the stage. It was early 2000's and his band mixed his Supernatural comeback (blah) with old warhorses (yeah!) so he was well worth checking out...we still have hte poster and ticket from this night framed in RtBE HQ.
Full setlist and info regarding the show below. Pro-Shot, Pro-Sound this one is a summer highlight for sure, Enjoy:
Santana - Full Concert Recorded Live: 8/18/1970 - Tanglewood (Lenox, MA) More Santana at Music Vault: http://www.musicvault.com Subscribe to Music Vault: http://goo.gl/DUzpUF Setlist: 0:00:00 - Batuka / Se A Cabo 0:07:38 - Black Magic Woman 0:13:19 - Oye Como Va 0:17:51 - Incident At Neshabur 0:23:25 - Toussaint L'Overture 0:28:25 - Evil Ways 0:32:53 - Hope You're Feeling Better 0:37:31 - Treat 0:44:04 - Savor / Jingo 0:53:42 - Soul Sacrifice 1:06:53 - Gumbo 1:11:34 - Persuasion
Personnel: Carlos Santana - guitar, vocals Gregg Rolie - keyboards, piano, lead vocals David Brown - bass Michael Shrieve - drums Jose "Chepito" Areas - percussion, conga, timbales Mike Carabello - percussion, conga, vocals
Summary: Recorded just over a year after Santana played its historic Woodstock Music & Art Fair performance, the band was fast becoming one of the biggest in the world. They were about to release their second album, Abraxas, and were riding high on the heels of three hit songs from their debut album and a new Top 10 hit, a cover of Fleetwood Mac's "Black Magic Woman."
Some months our Full Show Friday's will focus on specific artists, years, venues, festivals or some combo of it all. This month we focus on summer concert standby's who always played the picturesque Saratoga Performing Arts Center over the years.
August always makes RtBE think of upstate New York, specifically the town of Saratoga. Going to high school just a few miles from the town, we would spend many August days at the beautiful horse track and hot nights in the state park watching bands from all over. A few years back we presented shows from the venue itself This month we will highlight some bands who always seemed to roll through and we (mostly) got to see live.
Santana is another one who whenever he toured seemed to play SPAC in the summer, so much so that our first time catching him was when we got a $10 ticket because he couldn't put asses in the seats anymore!
It certainly didn't effect his playing from the stage. It was early 2000's and his band mixed his Supernatural comeback (blah) with old warhorses (yeah!) so he was well worth checking out...we still have hte poster and ticket from this night framed in RtBE HQ.
Full setlist and info regarding the show below. Pro-Shot, Pro-Sound this one is a summer highlight for sure, Enjoy:
Santana - Full Concert Recorded Live: 8/18/1970 - Tanglewood (Lenox, MA) More Santana at Music Vault: http://www.musicvault.com Subscribe to Music Vault: http://goo.gl/DUzpUF Setlist: 0:00:00 - Batuka / Se A Cabo 0:07:38 - Black Magic Woman 0:13:19 - Oye Como Va 0:17:51 - Incident At Neshabur 0:23:25 - Toussaint L'Overture 0:28:25 - Evil Ways 0:32:53 - Hope You're Feeling Better 0:37:31 - Treat 0:44:04 - Savor / Jingo 0:53:42 - Soul Sacrifice 1:06:53 - Gumbo 1:11:34 - Persuasion
Personnel: Carlos Santana - guitar, vocals Gregg Rolie - keyboards, piano, lead vocals David Brown - bass Michael Shrieve - drums Jose "Chepito" Areas - percussion, conga, timbales Mike Carabello - percussion, conga, vocals
Summary: Recorded just over a year after Santana played its historic Woodstock Music & Art Fair performance, the band was fast becoming one of the biggest in the world. They were about to release their second album, Abraxas, and were riding high on the heels of three hit songs from their debut album and a new Top 10 hit, a cover of Fleetwood Mac's "Black Magic Woman."
A year earlier - in fact only a few days before the Woodstock Festival - Bill Graham staged the first of several concerts billed as "The Fillmore at Tanglewood." Tanglewood is the summer home of the Boston Symphony Orchestra, and the storied venue had just begun to experiment with staging contemporary concerts on their grounds. Staging a rock concert in a classical venue had yet to be done, so of course the concept of doing so excited Graham. He brought the full-scale Fillmore East production team in, including the Joshua Light Show, and booked a great lineup. This first concert featured B.B King, Jefferson Airplane and The Who, and drew the largest crowd that Tanglewood had ever seen by far.
Buoyed by the event's success, Tanglewood and Graham agreed to stage three similar dates in 1970. The last of these is this show, when Santana headlined after The Voices of East Harlem and the legendary Miles Davis had played. This historic and beautifully recorded performance features a smoking performance by Santana in the last year of their classic lineup, before a young Neal Schon joined the band. We think you'll agree it's an incredible performance by a great band in their prime.
Labels:
1970,
Friday,
Full Concert,
Full Show Friday,
horses,
Saratoga,
Video
Friday, September 5, 2014
Full Show Friday: Santana 8/18/1970
We search the murky back waters of youtube to find full concerts and
post them to the site weekly, come back every seven days to help us
celebrate Full Show Friday's. These shows are of varying quality and
may not be here for long so enjoy them while you can...As always, please
support the artist every which way, but especially by seeing them live
(if they are still playing)...
This week...Santana!
Santana always gets us thinking about live outdoor summer shows, so why not put a nice closing button on 2014's summer of Full Show Friday's? This is the second time we showcased Santana in this series, but we like this show a bit better. Coming from August 1970 the quality isn't perfect, but what the hell do you want, this is classic! The original lineup doing what it did better then anyone.
The group is in fine form, two of our favorite numbers are played back to back here with "Jingo" and "Soul Sacrifice", but the whole set is great. In fact I will just put the setlist and the notes from the show underneath the video and let you get right to listening:
Enjoy:
This week...Santana!
Santana always gets us thinking about live outdoor summer shows, so why not put a nice closing button on 2014's summer of Full Show Friday's? This is the second time we showcased Santana in this series, but we like this show a bit better. Coming from August 1970 the quality isn't perfect, but what the hell do you want, this is classic! The original lineup doing what it did better then anyone.
The group is in fine form, two of our favorite numbers are played back to back here with "Jingo" and "Soul Sacrifice", but the whole set is great. In fact I will just put the setlist and the notes from the show underneath the video and let you get right to listening:
Enjoy:
Santana
8/18/1970
Tanglewood,
Lenox, MA
SET
01 Batuka/Se A Cabo (7:55)
02 Black Magic Woman (5:27)
03 Oye Como Va (4:30)
04 Incident At Neshabur (5:39)
05 Toussaint L'Overture (5:00)
06 Evil Ways (4:31)
07 Hope You're Feeling Better (4:37)
08 Treat (4:17)
09 Savor (2:14)
10 Jingo (9:15)
11 Soul Sacrifice (13:12)
12 Gumbo (4:50)
13 Persuasion (3:42)
unknown low gen VHS tape (Pro-shot) with SBD audio
BAND LINEUP
Carlos Santana - guitar, vocals
Gregg Rolie - keyboards, piano, lead vocals
David Brown - bass
Michael Shrieve - drums
Jose "Chepito" Areas - percussion, conga, timbales
Mike Carabello - percussion, conga, vocals
________________________________________ __
NOTES
"Just a year after Santana played its historic Woodstock Music & Art Fair performance, the band was fast becoming one of the biggest in the world. They were about to release their second album, Abraxas, and were riding high on the heels of three hit songs from their debut album and a new Top 10 hit, a cover of Peter Green's Fleetwood Mac's "Black Magic Woman."
A year earlier - in fact only a few days before the Woodstock Festival - Bill Graham staged the first of several concerts billed as "The Fillmore at Tanglewood."
Tanglewood is the summer home of the Boston Symphony Orchestra, and the storied venue had just begun to experiment with staging contemporary concerts on their grounds. Staging a rock concert in a classical venue had yet to be done, so of course the concept of doing so excited Graham. He brought the full-scale Fillmore East production team in, including the Joshua Light Show, and booked a great lineup. This first concert featured B.B King, Jefferson Airplane and The Who, and drew the largest crowd that Tanglewood had ever seen by far.
Buoyed by the event's success, Tanglewood and Graham agreed to stage three similar dates in 1970. The last of these is this show, when Santana headlined after The Voices of East Harlem and the legendary Miles Davis had played. This historic and beautifully recorded performance features a smoking performance by Santana in the last year of their classic lineup, before a young Neal Schon joined the band."
8/18/1970
Tanglewood,
Lenox, MA
SET
01 Batuka/Se A Cabo (7:55)
02 Black Magic Woman (5:27)
03 Oye Como Va (4:30)
04 Incident At Neshabur (5:39)
05 Toussaint L'Overture (5:00)
06 Evil Ways (4:31)
07 Hope You're Feeling Better (4:37)
08 Treat (4:17)
09 Savor (2:14)
10 Jingo (9:15)
11 Soul Sacrifice (13:12)
12 Gumbo (4:50)
13 Persuasion (3:42)
unknown low gen VHS tape (Pro-shot) with SBD audio
BAND LINEUP
Carlos Santana - guitar, vocals
Gregg Rolie - keyboards, piano, lead vocals
David Brown - bass
Michael Shrieve - drums
Jose "Chepito" Areas - percussion, conga, timbales
Mike Carabello - percussion, conga, vocals
________________________________________
NOTES
"Just a year after Santana played its historic Woodstock Music & Art Fair performance, the band was fast becoming one of the biggest in the world. They were about to release their second album, Abraxas, and were riding high on the heels of three hit songs from their debut album and a new Top 10 hit, a cover of Peter Green's Fleetwood Mac's "Black Magic Woman."
A year earlier - in fact only a few days before the Woodstock Festival - Bill Graham staged the first of several concerts billed as "The Fillmore at Tanglewood."
Tanglewood is the summer home of the Boston Symphony Orchestra, and the storied venue had just begun to experiment with staging contemporary concerts on their grounds. Staging a rock concert in a classical venue had yet to be done, so of course the concept of doing so excited Graham. He brought the full-scale Fillmore East production team in, including the Joshua Light Show, and booked a great lineup. This first concert featured B.B King, Jefferson Airplane and The Who, and drew the largest crowd that Tanglewood had ever seen by far.
Buoyed by the event's success, Tanglewood and Graham agreed to stage three similar dates in 1970. The last of these is this show, when Santana headlined after The Voices of East Harlem and the legendary Miles Davis had played. This historic and beautifully recorded performance features a smoking performance by Santana in the last year of their classic lineup, before a young Neal Schon joined the band."
Labels:
1970,
Friday,
Full Concert,
Full Show Friday,
Great Guitarist,
Live,
Video
Friday, May 16, 2014
Full Show Friday: Frank Sinatra 1970 Royal Festival Hall
We search the murky back waters of youtube to find full concerts and post them to the site weekly, come back every seven days to help us celebrate Full Show Friday's.
These shows are of varying quality and may not be here for long so
enjoy them while you can...As always, please support the artist every
which way, but especially by seeing them live (if they are still
playing)...This week...Frank Sinatra!
Not everyone can get an intro from Princess Grace of Monaco, but Ol' Blue Eye's can, let's slip it back in time Daddy-O. Granted 1970 wasn't the highpoint of Sinatra's career, but he still brings his charm, charisma and voice to this performance. Backed by a full orchestra in England Sinatra has been better but still the star as the players are fine if not super dynamic.
Giving a shot to "Something" (even jokingly admitting he is still learning it) clearly shows that Sinatra's time is gone, yet he is timeless. Just peep the dynamic version of "I Get Along Without You Very Well". Simply amazing.
What more can be said about the chairman of the boards? Well here's one, we recently read this article and love how it changed reporting forever and per-shadowed blogging without access. Feel free to read it and check out the show, setlist below:
Enjoy:
Setlist.
1- Introduction By Princess Grace Of Monaco.
2 - You Make Me Feel So Young.
3 - Pennies From Heaven.
4 - I've Got You Under My Skin.
5 - Something.
6 - The Lady Is A Tramp.
7 - I Get Along Without You Very Well.
8 - Didn't We.
9 - One For My Baby.
10 - I Will Drink The Wine.
11 - I Have Dreamed.
12 - My Kind Of Town.
13 - My Way.
Not everyone can get an intro from Princess Grace of Monaco, but Ol' Blue Eye's can, let's slip it back in time Daddy-O. Granted 1970 wasn't the highpoint of Sinatra's career, but he still brings his charm, charisma and voice to this performance. Backed by a full orchestra in England Sinatra has been better but still the star as the players are fine if not super dynamic.
Giving a shot to "Something" (even jokingly admitting he is still learning it) clearly shows that Sinatra's time is gone, yet he is timeless. Just peep the dynamic version of "I Get Along Without You Very Well". Simply amazing.
What more can be said about the chairman of the boards? Well here's one, we recently read this article and love how it changed reporting forever and per-shadowed blogging without access. Feel free to read it and check out the show, setlist below:
Enjoy:
Setlist.
1- Introduction By Princess Grace Of Monaco.
2 - You Make Me Feel So Young.
3 - Pennies From Heaven.
4 - I've Got You Under My Skin.
5 - Something.
6 - The Lady Is A Tramp.
7 - I Get Along Without You Very Well.
8 - Didn't We.
9 - One For My Baby.
10 - I Will Drink The Wine.
11 - I Have Dreamed.
12 - My Kind Of Town.
13 - My Way.
Labels:
1970,
Friday,
Full Concert,
Full Show Friday,
jazz,
Video
Friday, February 7, 2014
Full Show Friday: Led Zeppelin 1970 Royal Albert Hall
We search the murky back waters of youtube to find full concerts and post them to the site weekly, come back every seven days to help us celebrate Full Show Friday's.
These shows are of varying quality and may not be here for long so
enjoy them while you can...As always, please support the artist every
which way, but especially by seeing them live (if they are still
playing)...This week...Led Zeppelin!
So last month we skewed a bit different with our Full Show Friday's and presented Jazzy January here at RtBE. Judging by the lack of page clicks that wasn't the wisest of moves...hmm, well we personally liked it, especially that killer John Zorn set. Anyways,
lets go back into the mainstream, this month only shows from artists people know and hopefully love.
Starting the month off we got Led Zeppelin. While not one of our personal favorites, they are omnipresent in the rock universe. This show catches them at an earlier time in their career specifically the touring off of Led Zeppelin II. The band would turn a bit more folksie and "Stairway-y later on, but here the set is dominated by the British electric blues sound and lots of guitar experiments from Jimmy Page.
The rawness and energy is there throughout, highlights for us are the Willie Dixon cover of "I Can't Quit You", "Communication Breakdown" and our favorite jam from the fellas (and Dixon again) "Whole Lotta Love".
Enjoy:
Led Zeppelin - Live at the Royal Albert Hall 1970 (Full Concert)
00:27 We're Gonna Groove (James A. Bethea, Ben E. King)
03:40 I Can't Quit You Baby (Willie Dixon)
10:36 Dazed and Confused (Jimmy Page)
26:09 White Summer (Page)
38:32 What Is and What Should Never Be (Page, Robert Plant)
43:11 How Many More Times (John Bonham, John Paul Jones, Page)
1:03:28 Moby Dick (Bonham, Jones, Page)
1:18:49 Whole Lotta Love (Bonham, Dixon, Jones, Page, Plant)
1:25:13 Communication Breakdown (Bonham, Jones, Page)
1:29:29 C'mon Everybody (Jerry Capehart, Eddie Cochran)
1:32:00 Somethin' Else (Bob Cochran, Sharon Sheeley)
1:34:10 Bring It On Home (Bonham, Dixon, Jones, Page, Plant)
So last month we skewed a bit different with our Full Show Friday's and presented Jazzy January here at RtBE. Judging by the lack of page clicks that wasn't the wisest of moves...hmm, well we personally liked it, especially that killer John Zorn set. Anyways,
lets go back into the mainstream, this month only shows from artists people know and hopefully love.
Starting the month off we got Led Zeppelin. While not one of our personal favorites, they are omnipresent in the rock universe. This show catches them at an earlier time in their career specifically the touring off of Led Zeppelin II. The band would turn a bit more folksie and "Stairway-y later on, but here the set is dominated by the British electric blues sound and lots of guitar experiments from Jimmy Page.
The rawness and energy is there throughout, highlights for us are the Willie Dixon cover of "I Can't Quit You", "Communication Breakdown" and our favorite jam from the fellas (and Dixon again) "Whole Lotta Love".
Enjoy:
Led Zeppelin - Live at the Royal Albert Hall 1970 (Full Concert)
00:27 We're Gonna Groove (James A. Bethea, Ben E. King)
03:40 I Can't Quit You Baby (Willie Dixon)
10:36 Dazed and Confused (Jimmy Page)
26:09 White Summer (Page)
38:32 What Is and What Should Never Be (Page, Robert Plant)
43:11 How Many More Times (John Bonham, John Paul Jones, Page)
1:03:28 Moby Dick (Bonham, Jones, Page)
1:18:49 Whole Lotta Love (Bonham, Dixon, Jones, Page, Plant)
1:25:13 Communication Breakdown (Bonham, Jones, Page)
1:29:29 C'mon Everybody (Jerry Capehart, Eddie Cochran)
1:32:00 Somethin' Else (Bob Cochran, Sharon Sheeley)
1:34:10 Bring It On Home (Bonham, Dixon, Jones, Page, Plant)
Labels:
1970,
Friday,
Full Concert,
Full Show Friday,
Live,
Video
Monday, September 20, 2010
Monday Dead: 7-16-1970 Euphoria Ballroom
Monday Dead this week takes us back to July 16th 1970 and what we have here is anything but a failure to communicate. A major transitional year for the fellas, 1970 had it all, ups/downs/folk/freakouts but on this glorious day one of the groups most beloved friends came on stage and shined her lovelight all over the place. Nice grab Pigpen...Listen right c'here:
I had a blast yesterday hanging out with a bunch of friends and loved ones (even if my football picks went south, but Chelsea had fine form) and the night ended with us watching the excellent Festival Express. If you haven't seen this movie, please, do yourself a favor and order it asap you will not be disappointed. A great documentary about a magical coming together of musicians. I was amazed when I caught the film on the big screen down in Union Sq. and the main reason for my fascination was not the Dead, nor even my man crush on Rick Danko, but the unbelievable force of nature that Janis Joplin was as a live performer.
Her scenes in the film jump off the screen with a richness and vitality that is unmatched, she was magnetic. beautiful and simply stunning as an artist. I love that the Dead wrote "Bird Song" in her honor, but I love even more this "Lovelight" with Pigpen. Before we get to that though I should mention that the quality of today's show is again top notch grade A+ stuff. Kudos to Scott Clugston for a pristine transfer allowing us to enjoy this timeless performance 30 years later. Before we get to the naughtiness we need to mention the quick and fun version of "China Cat Sunflower > I Know You Rider", it is a crisp version of an old favorite, but the "Candyman" here is skip-able. Never my favorite tune and a blown version on this night, it was as if the band was waiting for the front woman to take the stage.
Then comes the huge "Lovelight" and the interplay between Janis and Pigpen. An obvious chemistry blazes through the speakers and I would freak out to be able to see the video of this show as it is a happening man. The sexy interplay works even if we can't see it and you gotta love Janis ripping on the "Hippie Jack-offs", saying she wants a working man as the sparse band just keeps the minimal beats behind her. Then after some crowd encouragement the group starts the train up around the 11 minute mark. Jerry gets wah-wah'ing and Phil fuzzes out a few bass bombs as the revving up to the climax commences. What a time must have been had, and I can only imagine the quarts of whiskey and tequila that were consumed.
Here's hoping the party is still going on somewhere special, enjoy the show.
I had a blast yesterday hanging out with a bunch of friends and loved ones (even if my football picks went south, but Chelsea had fine form) and the night ended with us watching the excellent Festival Express. If you haven't seen this movie, please, do yourself a favor and order it asap you will not be disappointed. A great documentary about a magical coming together of musicians. I was amazed when I caught the film on the big screen down in Union Sq. and the main reason for my fascination was not the Dead, nor even my man crush on Rick Danko, but the unbelievable force of nature that Janis Joplin was as a live performer.
Her scenes in the film jump off the screen with a richness and vitality that is unmatched, she was magnetic. beautiful and simply stunning as an artist. I love that the Dead wrote "Bird Song" in her honor, but I love even more this "Lovelight" with Pigpen. Before we get to that though I should mention that the quality of today's show is again top notch grade A+ stuff. Kudos to Scott Clugston for a pristine transfer allowing us to enjoy this timeless performance 30 years later. Before we get to the naughtiness we need to mention the quick and fun version of "China Cat Sunflower > I Know You Rider", it is a crisp version of an old favorite, but the "Candyman" here is skip-able. Never my favorite tune and a blown version on this night, it was as if the band was waiting for the front woman to take the stage.
Then comes the huge "Lovelight" and the interplay between Janis and Pigpen. An obvious chemistry blazes through the speakers and I would freak out to be able to see the video of this show as it is a happening man. The sexy interplay works even if we can't see it and you gotta love Janis ripping on the "Hippie Jack-offs", saying she wants a working man as the sparse band just keeps the minimal beats behind her. Then after some crowd encouragement the group starts the train up around the 11 minute mark. Jerry gets wah-wah'ing and Phil fuzzes out a few bass bombs as the revving up to the climax commences. What a time must have been had, and I can only imagine the quarts of whiskey and tequila that were consumed.
Here's hoping the party is still going on somewhere special, enjoy the show.
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