A site dedicated to culture with a focus on popular music; from the fringes to the forefront.
Monday, September 1, 2025
Live Review: The Who - 8/30/25 Madison Square Garden, NYC
Friday, August 8, 2025
Full Show Friday: The Who : Tommy - Concert (Live U.S. Tour / 1989)
Let's go back to 1989 when The Who broke out Tommy and toured the world behind it (again). This show was captured at their LA stop on that tour.
Pro shot, pro sound, enjoy!
The Who - Rock Opera Tommy - Full Concert - 1989 - Live performance in Los Angeles at the Universal Amphitheater
Tuesday, May 31, 2022
Live Review: The Who - Madison Square Garden 5/26/22
Hey all, got a review up @glidemag which you can read Right C'here!
It is of The Who's live show on Thursday May 26th at MSG in NYC.
I went in not knowing setlists or what The Who Two were doing this tour and was simply blown away. RtBE have written about The Who in our Masters series and hold them in super high regard, but seeing them live these days has not been a major priority...this show might have changed that.
Starting with a half hour straight of Tommy and ending with Quadrophenia?! 8,395 person orchestra??! Amazing. Daltrey was in fine voice and Pete was engaged throughout, this was a killer night of wide ranging rock.
Support the band, catch them live, read the review and peep some video below:
Monday, August 10, 2020
Live Streams: The Who - Join Together @ Home
With live music on lock down (like everything else currently in New York City) live streams and old concerts have become essential for live music junkies like RtBE. While this current state of pandemic separation is in order we will highlight various shows/streams/virtual events for your viewing and listening pleasure and you can always check out or weekly Full Show Friday series for concerts from the past. Please support the artists any which way you can.
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Wednesday, February 26, 2020
Album Review: The Who - WHO
What hits the listener on The Who's first album of new material in almost thirteen years is that this sounds like a proper Who record which is a surprise as only Pete Townshend and Roger Daltrey remain from the band's hey days and they recorded separately with a host of studio musicians/friends contributing to that sound. The second thing that stands out is how well Daltrey's voice has recovered as he is in fine form propelling this collection of songs forward on that patented Who overblown rock and roll sound. The third is that it is a pretty solid collection of Who songs and a worthy addition to the bands catalog, while not coming close to their heyday, but still worlds beyond their last release of new music, the laughable Endless Wire.
'The Who Two' are both staring at seventy five years old and have no need for new music but Townshend has always been one of the more astute rockers capturing a time/moment/feeling and being able to lyrically express it through Daltrey's tough guys vocals. Now he faces old age as a rocker, impotent at times, disgusted at others while facing mortality.
While clearly not a rock opera, the album it is thematic in that growing old sense. "Rockin' In Rage" is the core centerpiece with classic Who tense string passages, pianos and cymbals supporting the lyrics. Opener "All This Music Must Fade" also expertly grapples with being out of touch and old, using ooh's and ah's around dynamite synth work from Benmont Tench, fantastic Townshend strumming and Pino Palladino/Zak Starkey low end work. "Break The News" successfully looks at old love and pain while "I'll Be Back" goes a step further as Townshend takes over lead vocals to declare he will be back for reincarnation to visit his love around folk rock complete with harmonicas and torrents of lyrics that at time seems cluttered, a touch sappy, but honest.
The Who never really did the blues, they rawk, but the music on first single "Ball and Chain" grooves around piano, meaty riffs, massive Starkey hits, and odd lyrics protesting injustice of Guantanamo. "I Don't Want To Get Wise" starts marching around Carla Azar's drumming, Tench's synths and some of Daltrey's strongest vocals while "Hero Ground Zero" musically fits right in The Who's mid 70's wheelhouse.
More of a mixed bag is "Detour" which throws it back to the Who's earliest days but gets scattered along the way, the new wave on "Beads on One String" and "Street Song" both lack a proper punch, but all have moments that remind that this is one of the greatest rock bands of all time.
This is not your classic must hear Who of Keith Moon and John Entwistle, yet this album is a fine late career entry into the bands catalog. At this point WHO will probably serve as proud final note for their studio recording career; it is an album that they and their fans can be proud of.
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Last September RtBE dove into The Who, one of our all time favorites, for our Masters Series. Support the band, buy the album and peep some video below:
Wednesday, January 15, 2020
NOLA Jazzfest 2020, Artist Predictions
Actually no we don't...but since it is fun to predict, lets look into the crystal ball and guess who will be and who should be playing.
We will exclude the brass bands and local acts (even though they are truly the main reason we go) including nationally touring NOLA acts like Irma Thomas, Kermit Ruffins, Big Sam, Galactic, Trombone Shorty all the Brass Bands who will all be there.
Also we are obviously skipping the great jazz, blues and gospel acts who will be the foundation of the festival in their respective tents. Lets just talk about the bigger national touring artists for now....We will focus more on locals closer to the show.
Friday, September 27, 2019
Full Show Friday: The Who 7/7/70 - Tanglewood
Monday, September 23, 2019
Dylan Cover #394 Pete Townshend "Corrina, Corrina" Live
Thoughts on Original:
Early Dylan took folk songs that had been out there forever, placed sometimes small, sometimes large changes onto them and re-wrote the suckers making history. "Corrina, Corrina" is one of those which showed up on The Freewheelin' Bob Dylan. Originally recorded by Bo Carter in 1928 the tune has had tons of covers, everyone from The Mississippi Sheiks to Blind Lemon Jefferson, each adding their own flair to the number. Bob's rendition is a short jaunty tune which has a good beat, bounces around and features Dylan's harmonica, acoustic and great vocals. Not deep, just pretty and sweet.
Cover:
Thoughts on Cover Artist:
We are celebrating The Who all month in our Masters series. They are one of RtBE's all-time favorites. This is Pete solo, which is pretty damn great.
Thoughts on Cover:
Pete explains why he covers this song at the beginning of the video, very very cool. I wish we could hear these explanations for all of the people we have featured in this cover series which is now pushing 400! The discussion at the beginning is even cooler than the song, which is delicate, fragile twinkling take on the folk tune.
Friday, September 20, 2019
Full Show Friday: The Who 3-28-81 Rockpalast Festival
Pro shot, pro sound, full set list and info below. Enjoy:
setlist: 01 Substitute 02 I Can't Explain 03 Baba O'Reily 04 The Quiet One 05 Don't Let Go The Coat 06 Sister Disco 07 You Better You Bet 08 Drowned 09 Behind Blue Eyes 10 Another Tricky Day 11 Pinball Wizard 12 Who Are You 13 5:15 14 My Generation 15 Won't Get Fooled Again 16 Summertime Blues 17 Twist And Shout 18 See Me, Feel Me
Wednesday, September 18, 2019
The Masters: The Who - Best Live Albums
Townshend says “I’ve heard Roger talk about it as a jam session, but it wasn’t a jam session. It was just Jimi on a chair playing at me. Playing at me like ‘Don’t f—k with me, you little sh-t.’”
The musical quarrel came down to Townshend’s insecurity over The Who playing after Jimi Hendrix at Monterey, a gig that he considered to be a “critical concert.” Attempting to negotiate with Jimi didn’t go well, as Hendrix said “that’s not what you really mean. What you really mean is that you don’t want me to go first. You want to be first up there with the guitar smashing,” to which Townshend replied “Jimi, I swear, that’s not what it’s about.”
In the end, the discussion cooled down and Hendrix suggested a coin toss to determine who would go first and The Who came out on the winning side of that toss.Watching Hendrix’s performance later from the crowd with Mama Cass, she told Townshend, “he’s stealing your act” and Townshend said “no, he’s not stealing my act – he’s doing my act.” Explaining further, Townshend says “for me, it was an act and for him, it was something else. It was an extension of what he was doing.”
So let's get to their top five live albums below. As a reminder this list is meant to start conversations, not end them....
Monday, September 16, 2019
The Who Release New Song, Brand New Full Length Coming in November
WHO (cleverly titled) is the first record of new material since the awful Endless Wire and while RtBE loves the band, we do not have high hopes for this full length. Townshend talked about the album:
“This album is almost all new songs written last year, with just two exceptions. There is no theme, no concept, no story, just a set of songs that I (and my brother Simon) wrote to give Roger Daltrey some inspiration, challenges and scope for his newly revived singing voice. Roger and I are both old men now, by any measure, so I’ve tried to stay away from romance, but also from nostalgia if I can. I didn’t want to make anyone feel uncomfortable. Memories are OK, and some of the songs refer to the explosive state of things today. I made new home studio demos of all these songs in the summer of 2018 using a wide collection of instruments old and new. We started recording as The Who in March 2019, and have finished now in late August just in time to make some vinyl………maybe even some cassettes……ready for release in November”.
The first song "Ball & Chain" has been released and you can listen to it:
Friday, September 13, 2019
Full Show Friday: The Who Live in Houston, TX 1975
Monday, September 9, 2019
Dylan Cover # 392 Roger Daltrey & Wilko Johnson "Can You Please Crawl Out Your Window?"
(From the first time in this series we tackled a cover of this song)
A rambling transitional tune from Dylan as he moved from folk to his rock phase backed by The Hawks and push that wild thin mercury sound which Dylan was just starting to dabble with. Perhaps because of it's rarity, not appearing on any official album it is always a joy to listen to when it pops up, but there are better tracks in this vein such as the unfinished "She's Your Lover Now" but that is a whole separate post....
Cover:
Thoughts on Cover Artist:
We are celebrating The Who all month in our Masters series. They are one of RtBE's all-time favorites. That covers half of this duo with Roger Daltrey and Wilko Johnson did some cool stuff with Dr. Feelgood, but those guys don't make our Masters series.
Thoughts on Cover:
A pumped up rollicking version with Daltery's stout vocals, a shaking tambourine and jangle. A lot like the original in the end, a fairly straight ahead cover.
Friday, September 6, 2019
Full Show Friday: The Who Live @ Monterrey Pop 6/18/67
We have the full set, with no video, and then a few clips of the band playing the opening and closing numbers with full visual destructive action. Enjoy:
Wednesday, September 4, 2019
The Masters: The Who - Best Studio Albums
Thursday, December 14, 2017
Year In Review 2017- Favorite Live Show
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Taken By The Fantastic Megan Donohue |
Wednesday, September 13, 2017
Live Review: Classic Quadrophenia Live 9/9/17 @ The MET NY, NY
It is of Pete Townshend's Classic Quadrophenia Live at The Metropolitan Opera House in New York City. For those new to RtBE Quadrophenia holds a special place in this sites digital heart, it is our favorite album of all time.
We can write a book on the album and should probably do something based around that at some point, and we have seen the band do it in 2013 down by the Sea and Sand in Atlantic City. That show had some issues, but we had a fucking blast. Same with this show, it was goofy, over the top and not true to the original...but we had a great night anyway.
The venue was gorgeous, company was top fucking notch and the music was divine. Enjoy the review, feel free to catch it live if you can, buy the vinyl or DVD. Hey and peep some video below:
Thursday, June 15, 2017
Classic Quadrophenia Comes To Metropolitan Opera House
Pete Townshend''s amazing Quadrophenia will be supported by a full orchestra and vocalists including Billy Idol this September for four United States shows. We are pumped to be hitting the September 9th show at the pristine Met Opera House.
We have talked about this before on the site, but this is our all time favorite rock and roll album. While we saw The Who play it by the Sea and Sand a few years back, catching it in this fashion will be exhilarating...and being able to walk up to the venue is a sweet touch as well.
Here is some video to get you prepped for the fall shows, and a full list of the mini tour is below:
September 2 – Lenox, MA @ Tanglewood
September 9 – New York, NY @ Metropolitan Opera House
September 10 – New York, NY @ Metropolitan Opera House
September 16 – Los Angeles, CA @ The Greek Theatre
Friday, May 6, 2016
Full Show Friday: The Tubes 8/24/79 Oakland Aud
Thursday, May 5, 2016
Desert Trip Festival: Classic Rock Fans & Money Makers Dream Come True
You can read all about it from the NY Times, but the crux is the biggest names in rock and roll history (who are still playing) are coming together for a three day festival in Indio, California outside of Palm Springs and also the site of Coachella.
This will be an epic show on many fronts, boomers will find it hard to pass up. There will be huge dollars for scalpers but there will probably never be a lineup like this ever again.Something about it doesn't sit right with us though and we can't put our finger on it?
Maybe it is because we just got back from Jazzfest and are festival'ed out, but we are not chomping at the bit to grab tickets and we can't figure out why? Granted are all time favorites are playing, but we are not super excited by it and are a bit confused by that. Feel free to post your thoughts below some recent live video from the big name fest players.