Friday, November 17, 2017

Full Show Friday: Joni Mitchell 1980 Shadows and Light

We search the murky back waters of youtube to find full concerts and post them to the site weekly, come back every seven days to help us celebrate Full Show Friday's. These shows are of varying quality and may not be here for long so enjoy them while you can...As always, please support the artist every which way, but especially by seeing them live (if they are still playing)...This week...Joni Mitchell!
This week we focused on some of the most talented females making popular music today. So it was time to showcase Joni Mitchell live from 1980 Shadow and Light for our Full Show Friday to end things. Playing with Pat Methany and Jaco, Joni digs into her tunes with touches of jazz as all of the players are world class. Joni came up in conversation last week and while RtBE are not the biggest fans of hers we realized we never featured her on Full Show Friday so that needed to change.

This is her Shadows and Light tour which produced the live album. Pro Shot, Pro Sound, full setlist below.

Enjoy:


00:00 - Introduction 01:58 - In France They Kiss on Main Street 06:07 - Edith and the Kingpin 10:18 - Coyote 15:12 - Free Man in Paris 18:42 - Goodbye Pork Pie Hat 24:36 - Jaco's Solo: The High and the Mighty Third Stone from the Sun 28:41 - The Dry Cleaner from Des Moines 33:04 - Amelia 39:45 - Pat's Solo 42:46 - Hejira 50:04 - Black Crow 54:01 - Furry Sings the Blues 59:37 - Raised on Robbery 1:02:52 - Band Introduction 1:04:03 - Why Do Fools Fall in Love 1:06:26 - Shadows and Light

Thursday, November 16, 2017

Continental Closing in Summer 2018

Via our friends over at Brooklyn Vegan we found out that the Continental on 3rd ave and St. Marks will be closing next year with the building to be demolished.
You may ask what does a dive bar have to do with a music site? Well RtBE has seen many shows at Continental throughout our time in NYC. From friends bands to Joey Ramone's Birthday shows, to secret NYHC shows after they didn't officially have live music anymore. (They news-papered the windows so no one could have possible known there was a band playing right?!?!) You can view the full statement on the closing,

We ourselves never got to play there, but it would have been exactly our speed. It has been a part of our NYC heart so it is sad to see it go...what was even sadder was when St. Marks Pizza got new owners and then shut down...that used to be our favorite pizza in the whole city!

But we digress...here is some live video from Continental to remember the joint. Head down for some cheap drinks before it gets knocked down in August 2018


Wednesday, November 15, 2017

Album Review: Margo Price - All American Made

Margo Price
All American Made
****and1/2 out of *****

Last year’s debut Midwest Farmers Daughter was a long time coming and it delivered the country/Americana goods, kick starting Margo Price’s career. It was on multiple 2016 Best of Lists (including ours) and proved she had the talent to write, sing and pick with the best of best from any generation.

Only one year later comes her follow-up and All American Made is even better. Price has broadened her songwriting to ingest modern day heartbreak, tough mental states and (most expressively) on political touch points; this is a masterful country/Americana record.

The opener "Don't Say It" contains a a splash of “Hard to Handle” and is the most barroom rock and roll shit-kicking Price gets, telling off a bad relationship via killer lyrics. These excellent turns of phrase are everywhere on the disk, you could swear you’ve heard them before but nope, these songs are pure Margo and the second track “Weakness” is an instant classic in the country genre.

Speaking of classics, none other than Willie Nelson shows up for a fantastic duet on “Learning to Lose” and while lyrically it may not top others here, just hearing that purely American voice delicately sing with Price is a joy. She has what amounts to a sequel to the last album’s title track with “Heart of America”, the complications of sexism double standard on the road (and in life in general) with “Wild Woman” and expands into traveling spirituality on “Loner” painting broad strokes lyrically in front of swaying music.

Speaking of the music, there are a few stretches away from Prices bread and butter of Midwestern country. “A Little Pain” gets excellently soulful with organ work while “Do Right By Me” has a down home groove propelled by the bass, drums and soul singing backup vocals; both prove when Price branches out she and her band can succeed.

The two tracks that will be discussed the most are “Pay Gap” and the title effort as Price wades into the political arena on both. “Pay Gap” is a delightful flamenco number that has yips and yee-haws whimsically masking the amazingly STILL prevalent topic of the title and succeeds in all directions. Lyrically Price is fierce and delivers her point with gusto, directness, wisdom and conviction.

“All American Made” isn’t as successful as Price dives into presidential politics, sampling speeches, singing about Reagan selling arms to the Iranians and tying it into an aching pain she can’t quite describe. While her heart is in the right place, the overloaded samples and unclear overarching focus (driving rusty pick trucks to California? Closing with an LBJ sample?) can’t live up to her lyrical directness in “Pay Gap”.

After crafting a solid-to-great country album on Midwest Farmers Daughter no one would have blinked twice if Price played it safe, especially after struggling so long to break through. Instead the opposite happened and she put out a gem of a record that broadens her horizons while simultaneously cementing her as a singer/songwriter who needs to be heard regardless of genre (not gender) bias.
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Support the artist, buy the album and peep some video below:





Tuesday, November 14, 2017

Album Review: St. Vincent - MASSEDUCATION

St. Vincent
MASSEDUCATION
*** out of *****
St. Vincent’s 5th studio album MASSEDUCATION is a swirling mix of pop, pills, sex and personal confessions blending layers of vocals styles, gorgeous production and instrumentation. However, even with a variety of styles there still seems to be a mask over the proceedings keeping things from truly sinking into the skin.

Annie Clark has made her bones being an art rock guitar slayer, but here she moves directly to the pop and visual glam as this music is tailor made for video distribution and costume changes. While David Bowie is a clear comparison for Clark, her baroque style throughout MASSEDUCATION called to mind Lady Gaga more times than expected.

Her guitar playing takes a back seat (or on some tracks it’s thrown out of the car completely) to her production work with co-producer Jack Antonoff. Dance beats, building choruses and electro-funk breaks are everywhere from the rave up for relationships (especially the fleeting ones) on “Sugarboy” to the sexed up role reversal of “Savior” to the silly-before symphonic “Pills”. With “Pills” Clark mixes up the script from direct 2017 mindless radio pop to an arty flair an ending, a trick she uses a few times throughout.

“Los Ageless” is the best of the swaggering dance tunes as it pushes the music into an industrial flavored pop direction with huge bass hits Trent Reznor would enjoy before ending the tune with a swirling mellow refrain of “Try to write you a love song but it comes out a lament” (another phrase/sound Reznor probably enjoys). While the album bumps plenty, it is the slower piano based tracks that really hit home the hardest, leading to the feeling that the pomp around the upbeat jams is more of a smoke screen for the notoriously private singer.

The mystical cool end of “Los Ageless” dovetails expertly into the achingly personal sounding, minimalist track “Happy Birthday, Johnny”. The detail and emotion of the lyrics and vocals elevate this song for Clark a style she also uses for the back-to-what-you-know love song “New York” which turns out to be an album highlight. “Slow Disco” amps up the dramatic strings while “Smoking Section” artfully declares MASSEDUCATION is not over with Clark's final lyrics.

While “Fear The Future” contains intriguing guitar work and overloaded production sounding as if it was made to steal the show, it is those softer numbers that hint at even great depth and layers for Clark’s future. While this disk is sure to have droves of devotees with its dance-pop friendly sheen it also shows Clark can deliver even more in the future.
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Support the artist, buy the album and peep some video below:

Monday, November 13, 2017

Dylan Cover #301 Hanna & Hank "I Want You" Live

In this ongoing Monday Series we will be exploring various artists versions of Bob Dylan song's. Today's tune is a live cover by Hank & Hanna singing "I Want You" 

Thoughts on Original:
(From the first time we tackled a cover of this song)
A song that fits the Gemini Dylan like a glove; direct lyrical yearning chorus with verses that meander about introducing characters like roadblocks in the way of true love. It was the last tune written for the mega Blonde on Blonde and a song he and others (it was Al Kooper's favorite) admired so much he almost titled the album after it. Never a track that jumps to the top of peoples "favorites" or "best of" Dylan lists but one that really nails what the artist is all about in some of the simplest terms.
Cover:


Thoughts on Cover Artist:
Hanna & Hank are an indie-folk duo from Gothenburg - Sweden. Their page has more on them as well. Thoughts on Cover:
This is a fun duet cover, a fun way to do an easy folkie take on the direct song. Love the dueling lyrics and the harmonica playing.  

Saturday, November 11, 2017

Veterans Day 2017

Veterans Day is an important one in our history, read more about it here.

Since this is a music site we will pay homage in our way and especially since our friend Glen has recorded a song with his great NYHC band Billyclub Sandwich titled "Veteran's Day". You can listen to bad ass tune below following the perfect Patton quote that the group used to intro it:
No bastard ever won a war by dying for his country. He won it by making the other poor dumb bastard die for his country.


"I choose to fight for what I live for" Well said fellows. Well said.

Friday, November 10, 2017

Full Show Friday: Foo Fighters Live at Rock am Ring 2015

We search the murky back waters of youtube to find full concerts and post them to the site weekly, come back every seven days to help us celebrate Full Show Friday's. These shows are of varying quality and may not be here for long so enjoy them while you can...As always, please support the artist every which way, but especially by seeing them live (if they are still playing)...This week...Foo Fighters!

This week we focus on one of the biggest rock bands in the world, the Foo Fighters. We here at RtBE aren't huge fans of theirs, but you can't deny their broad appeal. Here is their set from Rock am Ring 2015. Pro Shot, Pro Sound, with the setlist below. Enjoy!



Setlist: 1:20 - Everlong 6:04 - Monkey Wrench 13:50 - Learn to Fly 17:56 - Something From Nothing 22:51 - The Pretender 31:11 - Arlandria (band introduction at 39:00) 44:40 - Cold Day in the Sun 48:27 - Congregation 53:22 - Walk B-Stage: 58:28 - My Hero (Dave solo, acoustic) 1:06:32 - Times Like These (Half Dave solo & half with the band on B-Stage) 1:12:25 - Stay With Me (The Faces cover) (with Dave Catching) 1:22:26 - Let There Be Rock (AC/DC cover) 1:28:18 - Under Pressure (Queen & David Bowie cover) Main-Stage: 1:34:28 - All My Life 1:40:08 - These Days 1:47:35 - Outside 1:54:45 - Big Me (Slow Version) 1:59:55 - Breakout 2:09:26 - Best of You