Friday, January 18, 2019

Full Show Friday: Magic Malik & Jazz Association 2018 @ Jazz sur Seine

We search the murky back waters of youtube to find full concerts and post them to the site weekly, come back every seven days to help us celebrate Full Show Friday's. These shows are of varying quality and may not be here for long so enjoy them while you can...As always, please support the artist every which way, but especially by seeing them live (if they are still playing)...This week...Magic Malik & Jazz Association!
It's Jazzy January again here at RtBE, so get ready to kick off 2018 with some different styled shows every Friday. For this series we skew into new (or more recent) jazz lands. Keeping it current proves there is amazing live jazz still being performed no matter what Ken Burns says.

This week we go back to last October for Magic Malik & Jazz Association. A French outfit who goes after the classics with original twists. Translated from their page:
A unique concert, organized especially for ARTE Concert? Flutist Magic Malik did it! It is within the framework of the Jazz on Seine festival that this eclectic artist introduces us his new project: the Jazz Association Quintet, a formation that celebrates the great figures of jazz, all times combined.
The show is Pro-Shot with Pro Sound. Enjoy:

ARTE Concert offers you the best of the European scene on all your screens: http://concert.arte.tv

Find us also on social networks:
Facebook https://www.facebook.com/ARTEConcert
Twitter https://twitter.com/ARTEconcertEN
Instagram http://instagram.com/arteconcert

Thursday, January 17, 2019

Album Review: Nathan Sanders - Legacy

Nathan Sanders
Legacy
** out of *****

Nathan Sanders newest release Legacy is a five track EP which moves with style and grace. The San Jose based artist has familial ties to the soul and R&B of the nineties (being the cousin's with Tony, Toni, Tone) but his songs presented here have no set time or place as his jazz tendencies leads the way.

Opening with "Steppin'" the artist lets the hi hat lead the way as the song slowly works up to speed. Simplistic piano drops enter and occasionally a deep horn blows but it isn't until the four minute mark when a huge bass enters that the track finds a mooring; the song begins to coalesce and then ends to soon.     

Following up is the more organic "This Life" again drums and simply piano set the tone, but the rolling drums move things along at a fair clip. "Town Struttin" feels more towards the smooth jazz side of things, but the random keyboard fills keep things edgy while the title track picks up the digital drum loops, hand claps and skittering percussion in a modern way.

Closing with the live track "Without You" the artist starts singing with a vocal which can rise to falsetto or drop deep. Unfortunately the recording has actual background chatter, and brutal mic feedback taking away from the performance. A passable bonus track for fans, but the amateurish recording is not something someone new to the artist needs to experience in this form.

Legacy is Sanders second digital release in December 2018, and there may be more on the way from the active artist.
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Support the artist, buy the record, listen on bandcamp or below:

Album Review: Earthless - From The West (Live)

Earthless
From The West (Live)
**** out of *****

Earthless went big in 2018 releasing their first album with vocals, Black Heaven and this celebratory live album follow up, From The West. Unlike a lot of metal/stoner outfits who use studio precision to get their ideas across, Earthless have always been more akin to Jambands, doing their most exciting and raw work on the live stage. From The West is the bands third official live album (with many bootlegs and jams floating around) and it is an upgrade over Black Heaven (which did have much better cover art though) if for the blistering energy alone.

The ripping newest instrumental "Black Heaven" kicks things off with surging energy as the frantic riffs of Isaiah Mitchell combines perfectly with the rolling thunder low end of bassist Mike Eginton and drummer Mario Rubalcaba. The opener flows smoothly into "Electric Flame" and while the lyrics and singing of Mitchell are pushed more into the background, their Black Sabbath qualities are actually pushed more to the forefront, accentuating the playing rather then dominating it.

The squirrelly feedback wrapping up "Electric Flame" drips into the pounding grooves of "Gifted By The Wind" but it is the massive "Uluru Rock" which dominates this album. Pushing twenty minutes this behemoth is a heavy psychedelic journey, with both glimpses of darkness and beauty. It trudges along with Brontosaurus like stature and heft while Mitchell is just wailing away at the universe as the tempo slowly rises and rises before soaring to close; a mega jam.

The brief blasting "Volt Rush" makes a welcomed appearance opening ears, but fans will be salivating at the bands inclusion of their take on Led Zeppelin's (whose TMOQ bootleg the cover art/packaging is based on) "Communication Breakdown". While a fine, speedy cover the two album ending originals are even better.       

"Violence of the Red Sea" off of From The Ages, continues the Sabbath on speed style for nearly fifteen minutes as Mitchell reaffirms he is one of the fiercest guitarists going today while album closer "Acid Crusher" released as a standalone single in 2016 is a psych rock beast wrapping up a tremendous live collection of recent Earthless offerings. 

Recorded at The Great American Music Hall in San Francisco on March 1st, 2018 the trio were certainly in the groove. Like on their two other live albums, the stage is where Earthless are most comfortable and do their best work, any fan of adventurous excursions should give From The West a spin.
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Support the band, buy the album and peep some video below:

Wednesday, January 16, 2019

Album Review: Maggie Rogers - Heard It In A Past Life

Hey all, got a new review up @glidemag which you can read Right C'here!!!
It is of Maggie Rogers debut full length Heard It In A Past Life.

Poppy dance laden tunes is not normally the forte of this site, but it is always great to check out new things, especially when those new things are as successful as Rogers debut album. While she rose to fame with the help of Pharrell who heard her song "Alaska" from the NYU grad (GO VIOLETS!!) and it propelled her to SNL of all places.

The two songs she played on the late night show are her two best on this album and I will post videos of those performances below. Even if you are not usually into this sort of music, Heard It In A Past Life is still a solid listen.
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Support the artist, buy the album (out Friday) and peep some video from her Saturday Night Live appearance below:





The Masters: Miles Davis - Best Live Records

RtBE loves listening to new music and prides itself on keeping tabs on up and coming artists but in 2019 we are also going to have a monthly spotlight on legendary artists who we really love. We are calling this series The Masters. It will focus on the best albums, live records, transcendent shows and other odd ways we appreciate the artists and their contribution to music, culture and our formation.

For January The Masters focuses on Jazz great Miles Davis.

Live music is the best thing out there. Being caught in the moment is religion. Palpable vibes of healing and energy are transmitted and shit...gets...real. For this month's focus, Miles Davis, live performance was a state of living and he did it in a slew of ways over his career. Davis live records span 40+ years and are still being released as legacy albums. There is so much to uncover with him we will surely miss something with our list below, but let's get to it. 

Tuesday, January 15, 2019

Album Review: Rosie Turton - Rosie's 5ive EP

Hey all, got a new review up @glidemag which you can read Right C'here!!!
It is the first solo release from trombonist/composer Rosie Turton titled Rosie's 5ive. The release is yet another in the excellent 5ive series from Jazz re:freshed.

While the center piece "Stolen Ribs" wasn't our favorite the rest of the tracks, including the groups re-working of Herbie Hancock's "Butterfly" are all really solid. Rosie's 5ive is a damn fine EP and one fans of new school or old cool jazz will get a kick of.
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Support the artist, buy the record and peep some video below:




2019 New Orleans Jazz & Heritage Lineup

The lineup for the 50th New Orleans Jazz and Heritage Festival has been announced. It is a doozy.

The lineup can be seen in the video below as well, and it is DEEP.  We got a few right and a few wrong, but there is no denying this is going to be a hell of a show.


Some early highlights that jump out are Jerry Lee Lewis, John Fogerty, Little Freddie King and of course all the fantastic local acts. The festival can not come soon enough...let's get in the mood with a few live clips from acts playing the fest: 









Monday, January 14, 2019

Dylan Cover #359 Eddie Cano & Nino Tempo "Don't Think Twice, It's Alright"

In this ongoing Monday Series we will be exploring various artists versions of Bob Dylan song's. Today's tune comes from Eddie Cano & Nino Tempo covering "Don't Think Twice, It's Alright"
Jazzy January has invade Mondays! All this month we will check out various artists covering Dylan in a Jazz vibe, can you dig it daddy-o? 

Thought's on Original:
From the first time we reviewed a cover of this tune:
This song is so iconic and flat out awesome, even people who dislike Dylan have to enjoy this tune right? Biting and yet not bitter, a toss off of the grandest proportions, "Don' Think Twice, It's All Right" is epic and yet so straight forwardly simple. It easily ranks as one of the bard's best works, truly a classic and has been covered by so many people in so many ways.
Cover:

Thoughts on Cover Artist:
RtBE is unfamiliar with Eddie Cano & Nino Tempo, but in researching they are a piano player and saxophonist respectively.
Thoughts on Cover:
A perfect jazz interpretation of a Dylan tune. When we brought this series into Jazzy January this is exactly what we were hoping to find. A cool tune, will need to do more research on these artists.  

Friday, January 11, 2019

Full Show Friday: Miles Davis Quintet 10/11/64 Milan, Italy

We search the murky back waters of youtube to find full concerts and post them to the site weekly, come back every seven days to help us celebrate Full Show Friday's. These shows are of varying quality and may not be here for long so enjoy them while you can...As always, please support the artist every which way, but especially by seeing them live (if they are still playing)...This week...Miles Davis!
It's Jazzy January again here at RtBE, so get ready to kick off 2018 with some different styled shows every Friday. For this series we skew into new (or more recent) jazz lands. Keeping it current proves there is amazing live jazz still being performed no matter what Ken Burns says.

For January The Masters focuses on Jazz great Miles Davis

This week we are breaking with our own rule from up above and skewing old to continue The Masters series. Here is Miles second great quintet early on in their run playing a show at Teatro dell'Arte in Milan, Italy. Trumpet: Miles Davis Saxophone: Wayne Shorter Piano: Herbie Hancock Bass: Ron Carter Drums: Tony Williams are all world class and this hour long television broadcast captures their playing in 1964. 

Playing with classics like "Autumn Leaves" and "My Funny Valentine" the quartet are up to snuff, vamping all over and around the standards with Davis leading the way with his exploratory horn. While the TV sound is not perfect (the bass and drums get short changed) having video of this group is a plus in and of itself. 

Pro shot and Pro Sound (for 1964) Enjoy:

Thursday, January 10, 2019

Fia Nic Rosa Sound of Travel Vol 1: E-Jazz Fusion Travel Album/Video Project

The combination of styles and mediums between music and film have been around for a while and Irish artist Fia Nic Rosa has decided to combine her personal travel videos with her newest music project into Sound of Travel Vol 1.

The songs and accompanying videos go around the world with the sounds and visions as Fia Nic Rosa uses light beats, washes of sound, poetry and breathy singing to set the scene. Here is the opener from San Francisco:


The full album can be heard/watched so the listener/viewer to travel with Rosa in her ongoing journeys.

Wednesday, January 9, 2019

Live At Little Gem Saloon Release Party 1/12

Basin Street Records are throwing a release party this Saturday night for their recently compiled live album, Live at The Little Gem Saloon.
The album is a celebration of the record labels 20th anniversary and was recorded live at the club during Jazzfest in 2017 (specifically May 5th). The concert on Saturday will feature some of the artists who are on the record, all around the excellent Kermit Ruffins and his BBQ Swingers who will be playing two sets and Special Guests will include: Davell Crawford, Dr. Michael White, Irvin Mayfield, and Lena Prima

Tickets are still available and for those in NOLA this seems like a hell of show for a Saturday in January. Below is live video of Jason Marsalis and band performing his killer tune "Bourbon Street Ain't No Mardi Gras" from the live recording back in 2017 and it is a doozy:
   

The Masters: Miles Davis - Top Five Studio Albums

RtBE loves listening to new music and prides itself on keeping tabs on up and coming artists but in 2019 we are also going to have a monthly spotlight on legendary artists who we really love. We are calling this series The Masters. It will focus on the best albums, live records, transcendent shows and other odd ways we appreciate the artists and their contribution to music, culture and our formation.

For January The Masters focuses on Jazz great Miles Davis

What better way to supplement Jazzy January then with the the iconic Davis? He has so many eras, rebirths and styles it is amazing. Fans may love one period of his recording and be repulsed by another. He (like many others in this series) followed his muse wherever it would take him, dark places, beautiful places it didn't matter. He had demons and issues.

He also had ungodly talent and is by far our favorite Jazz artist for the risks he took, the results he got and the way his music always keeps us guessing no matter how many times we hear it.  As Richard Brody stated much more eloquently:
Davis’s musical development, from the age of twenty-nine through forty-nine—and his personal evolution and musical revolution is itself one of the grandest artistic dramas of the dramatic time.
For this first installment we are going to look at Miles Davis Top Five Studio Albums to RtBE's ears. Let's get down on the corner...

Tuesday, January 8, 2019

Album Review: Ryan Porter - The Optimist

Ryan Porter
The Optimist
**** out of *****

Recorded at The Shack, the basement of Kamasi's Washington's parents house in 2008-09, comes Ryan Porter's, The Optimist. Before this talented group of players would go on to score Netflix series, tour the world or partner with Kendrick Lamar they were just a group of hungry jazz players in Los Angeles California known as the West Coast Get Down.

The Optimist is a fiery offering which kicks off with a bang on "The Psalmist". The blowing horns set the tone as the group locks in before an amazing piano flurry from Cameron Graves ignites the band to reach even higher. Washington's smooth tenor is a cool interlude and Porter's rougher trombone brings back the groove as the track closes on a triumphant note.

The album is filled with these moments and while Porters name is on the record it is easy to hear the formation of a cohesive unit who would go on to succeed more then any jazz collective in decades over the next few years.

"Obamanomics" and "Deja Vu" are both smoother numbers but show the collective can be just as successful with it's electric keys and trumpet lead as with their blow out tunes. Miles Mosley's upright bass kicks of the somber "Strugglesville" which manages to bring in classic jazz style with modern itching and scratching while 

The bright and shiny "The Instrumental Hip-Hoppa" is a sweet roll, but for some reason sounds recorded at a distance, throwing off the jubilant sound of the record half way through.It is an odd placement of a number which could be a highlight but comes off the weakest of the bunch. 

"Night Court In Compton" recalls the opener, competing with it for the most exciting track on the this collection. The band gets down and funky while keeping the jazz horn vibe alive. Porter in particular shines here with a great lead line as things manage to get exploratory and challenging through out. "K-Wash" goes back to the smoother side of things augmented by some killer bass fills as Washington takes the lead throughout before "Anya" continues the laid back exploratory vibe in more full on group fashion. 

"Little Sunflower" allows the drums of Tony Austin, Robert Miller and Lyndon Rochelle to get creative and propel things along; that Bootsie Collins inspired electro fills (bass or keybs?) are quality add as is the bright trumpet work of Jumaane Smith. Porter again though blasts a great solo as the band continues to thrive as he leads them charging into unknown vistas.

The album wraps up with two of the records longest excursions, the players take on a standard with John Coltrane's "Impressions" and an original entitled "Chocolate Nuisance". The groups cover of Coltrane slows down the original, giving it more of a soulful feel, admirable and solid, just not particularly memorable or exciting. "Chocolate Nuisance" on the other hand is both of those things. The album closer is a whirling mix of horns, blackplotation funk, adventurous yet nuanced playing and a sense of mirth.

Porter and everyone on this disk has been discovered but these recordings prove that even before that the players were something special to behold and The Optimist keeps things positive; any fans of any sort of jazz should be checking out this and other records by West Coast Get Down collective.
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Support the artist, buy the record, stream it on bandcamp or below and peep some video:



Monday, January 7, 2019

Dylan Cover #358 Nina Simone "I Shall Be Released"

In this ongoing Monday Series we will be exploring various artists versions of Bob Dylan song's. Today's tune is a cover by Nina Simone  playing "I Shall Be Released"
Jazzy January has invade Mondays! All this month we will check out various artists covering Dylan in a Jazz vibe, can you dig it daddy-o? 
Thoughts on Cover:
From the first time we tackled a cover of this song:
"I Shall Be Released" has been covered by too many artists to count and with reason; it is a masterpiece. A simple song that will forever be etched in Rock Legend as it ended perhaps the best concert in rock history, The Last WaltzThe Band are always connected to the tune as Dylan wrote it during those amazing days playing with the group up at Big Pink in the Catskills and the group released it on their first album. Gospel in nature the song is about salvation that can be certain, and each listener (and performer) can add their own personal feelings into the sketch, perfect for covering, especially live to close a show with friends.

Cover:

Thoughts on Cover Artist: 
Nina Simone was a troubled woman but a true artist. The recent documentary on her, ,is tough to watch but her voice and style can be captivating. "Sinner Man" is one of RtBE's all-time favorites. She was special in many ways. 

Thoughts on Cover:
A fine cover slow soul cover with piano and back up singers, but for an artist as moving as Simone can be this one falls a bit flat and dull. Not the best song for her talents. Imagine if she tore into "Masters of War", "Idiot Wind" or "She's Your Lover Now"? Woof.  

Happy 5th Anniversary to The A&V EP from Angels & Vagabonds

Hard to believe @angelsvagabonds released our debut effort, The A&V EP five years ago today.
It has been fun writing about music on various websites and publications over the last ten plus years, but nothing beats the act of creating music, playing it live and recording it. Our first EP was an excellent experience, a huge learning process for me personally, and five years removed, I am still very proud of the final result.

From the cover photo that stayed exactly as Bruno_Pek_ shot it, to the great production from our good friend Glen to the contributions of everyone involved The A&V EP is a joy to remember. More importantly, we still like listening to it and you can do the same now.

You can download from our bandcamp site, you can buy it from iTunes, stream it on Spotify or below. As always, thanks for reading, and on this day I can say thanks for listening.

Friday, January 4, 2019

Full Show Friday: Hiromi: Jazz in Marciac 2010

We search the murky back waters of youtube to find full concerts and post them to the site weekly, come back every seven days to help us celebrate Full Show Friday's. These shows are of varying quality and may not be here for long so enjoy them while you can...As always, please support the artist every which way, but especially by seeing them live (if they are still playing)...This week...
Hiromi!

It's Jazzy January again here at RtBE, so get ready to kick off 2018 with some different styled shows every Friday. For this series we skew into new (or more recent) jazz lands. Keeping it current proves there is amazing live jazz still being performed no matter what Ken Burns says.

A solo piano show to kick start the month as we find Hiromi Uehara the piano wizard doing her thing at Jazz in Marciac 2010. She is a whirlwind on the piano and a joy to watch and hear. She also wrote a song for New York titled "BQE", how can you not dig that? 

Pro Shot, Pro Sound, full set list below. Enjoy:


Hiromi Uehara - Live in Jazz in Marciac, August 4, 2010. 01. I Got Rhythm 02. Sicilian Blue 03. BQE 04. Berne, Baby, Berne 05. Pachelbel's Canon 06. Choux a la Crème

Thursday, January 3, 2019

NOLA Jazzfest 2019, Artist Predictions

The lineup for the 2019 New Orleans Jazz and Heritage Festival will be announced very soon (hopefully next week) but we got the early scoop...

Actually no we don't...but since it is fun to predict, lets look into the crystal ball and guess who will be and who should be playing.

We will exclude the brass bands and local acts (even though they are truly the main reason we go) including nationally touring NOLA acts like Irma Thomas, Kermit Ruffins, Galactic and Trombone Shorty who will all be there. Lets just talk about the bigger national touring artists for now....We will focus more on locals closer to the show.

To get in the southern festive NOLA mood, here is a great video done by Jeronimo Acero that my friend the fantastic Lu Brow sent north to warm me up during the winter.
Now on to the predictions....

Album Review: Juan Ibarra - NauMay

Juan Ibarra 
NauMay
**** out of *****

Released in early 2018, Juan Ibarra's collection of soaring Jazz originals may have offered more promise and positive spiritually than the year could deliver, but the dulcet tones continue to enchant, and will do so for any listener who picks up NauMay in the future. It is a stunning post-bop based jazz debut from an artist who has studied around the world and returned home to produce his first record at Mastodonte Studios. 

Ibarra is a drummer originally from Uruguay who leads his base quintet (Gonzalo Levin - Tenor/Spr/Alto Sax, Ignacio Labrada - Piano, Martin Ibarra - Guitar, Antonino Restuccia - Double Bass) in unique fashion. Just listening to the intro for "Angkor" (our favorite) and you can hear how his dense percussion patterns juxtaposes with the melodic piano and saxophones. The track (like all of them on NauMay) runs long and moves through various stages but remains hypnotic all along the journey.  It is just one of the many impressive offerings on this record which fans of exploratory music (not just jazz heads) will dig.

Opener "REM" is more a dreamy slow build helped along by guests Benjamin Barrios tenor sax and Federico Lazzarini trumpet while "Indigo" has more of a free jazz vibe with a pleasant focus on the bass work of Restuccia. Barrios and Lazzarini return again for the triumphant "Pepper Blade" as the marching drums and bright horns lead the way forward.

"Oceanos" is the smoothest offering on the record and oddly the least engaging as the other tunes deliver more of a musical journey, but the chilled out vibes are certainly solid, just a bit one note/familiar. More exploratory and adventurous is "Nair (Candombe 5)" which flies by as the band climbs up and down scales around Ibarra's frantically direct drumming. Closer "Pataskala" highlights Martin Ibarra's electric guitar work with clean flourishes and bright passages before the relaxed sax and steady piano make their mark as well.   

There is a lot of music to digest on NauMay with a running time pushing seventy five minutes, however each long offering is rewarding. Ibarra has been compared to Brian Blades Fellowship with good reason, he and his players have created an exhilarating debut record that will reward listeners again and again. 
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Support the artist, buy the album, stream it on bandcamp or below and peeps some video:

Wednesday, January 2, 2019

Album Review: Noun - Slug

Noun
Slug
**** out of *****

Marissa Paternoster has been collecting side recordings and snippets of home audio for a while and has periodically released these tunes under her pseudonym Noun. Back in 2010 she released her first collection of songs under this moniker, Holy Hell. It is an amazing collection of tunes which spill out from her Screaming Females day band into something unique. RtBE loved the record and rated it high in our year end review. Now comes Slug, a more intimate offering and one that seems to be a proper solo effort as opposed to an overflow of songs; however Paternoster has told RtBE directly that writing Noun songs is a reclusive activity and Slug sounds incredibly personal/reflective.   

The record plays as if it was a collection of found sound, lo-fi recordings for the most parts, but the intimacy and beauty which flows through can be stunning at times. The album runs the gamut from fairly straight ahead acoustic numbers like the opening timely "Corpus Christi" to the dystopian disco of the banging "Fame and Famine". The personal, intimate vibe is present with the direct honesty of "Drag" to the recorded snippets which capture the church's brazen hypocrisy with it's stance on homosexuality ("Glass Diamond") and a parents reassurance phone call to a gay child, that latter arriving before a great cover of AC/DC's "Shoot to Thrill" which could have been even more over the top.

Paternoster's guitar work is always mind altering, pairing with her wide ranging vocals, she is a dynamo on the layered "Easy" and the sultry/sexy riffing of the bad ass "Vicious Expert". The heavy and tape recorded/looped "Sleepwalker" thuds along while "Your Head" also plays with tape recorders; it starts distant and lo-fi before, looping back and coming in full functioning.

Paternoster also has a gift for ominous pop offerings like on the visceral "Feed Myself To You" or the so pretty it hurts "Just How Angry I Am".  Walls of grimy distortion ("Wet Rag") fit swimmingly next to odd acoustic folk ("Build Me A Lantern") and even if these songs were written worlds and years apart the cohesive whole of Slug works, because Paternoster is a skilled song writer; closer "Tied To An Anchor" could have worked perfectly on Rose Mountain as well.

Two covers of Patsy Cline standout as "I Fall To Pieces" is a gorgeously sung slice of disenchanted echoed folk with supportive tambourine while "She's Got You" is a sweet swirling blissful rendition. From the bass lead buzzing "Sleeping" to the piano/organ "Dead Swan" or minimal "Ain't My World" Paternoster paints a unique, slightly off-kilter, picture, a lot like one of her actual drawings. Marissa is an artist who has continued to evolve, grow and engage, Slug is just the most recent example of that and the next record will surely continue the trend.           
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Support the artist, buy the record and peep some video below:

Tuesday, January 1, 2019

Cory Wong & Dave Koz New Single "Friends At Sea"

It is once again Jazzy January here @RockBodyElec where the site will focus on Jazz based songs, shows, albums and covers. Our Monday Dylan series will get involved, as will Full Show Fridays.
Today we start the monthly spotlight with a very recent collaboration between old school and new school as guitarist Cory Wong teams up with Grammy award saxophonist Dave Koz on a smooth jazz single "Friends At Sea".

While it might have the label smooth, the group really digs into it and gets the energy flowing. The two players have recorded a seven inch titled The Koz Nod and the group also recorded a live video of the session for "Friends at Sea" which you can check out below:


New Single from Ruby Amanfu "Fantastic Like Magic"

One of RtBE's Personal Favorites Ruby Amanfu has a new single to kick off 2019, "Fantastic Like Magic".


The tune is bumping pop/dance/funky hybrid where Ruby puts on more of a helium distortion to her vocals sound with the help of Yacht Money. Listen here:


RtBE liked her last album a bit better then this, but always excited to see where she is going musically. Support her and read our review of her live set and album.