So it shall be presented, here is part 3 of RTBE's Year in Review for 2010, today we are dealing with the cream of the crop, concluding our top 10 list with albums 5-1.
Amazon so you can pick it up with the quickness. I worked with the Glide Team to give input on the their Top 20 so expect some overlap, but not a ton. Again the focus here is on full albums, not singles, but full releases you can slap on and listen to all the way through.
After the jump we have albums 5-1, all are excellent and will remain in the my listening rotation for years to come I am sure. There was actually a struggle for the top spot this year as I went back and fourth multiple times, but I feel pretty good with the list. Some are popular, others aren't well known but all the music is captivating so click that Read More button and let's get started.
#5 Dr. Dog - Shame, Shame
Band flavored rock really struck a cord with me and I was excited to see them putting out an album so quickly after the amazing Fate. While I do think that Fate is an overall better release there is no shame in that for Shame, Shame. The songs are free flowing and punchy, the difference I noticed on this album (for the first time) was my ear gravitating much more towards Scott McMicken's contributions then Toby Leaman's. In the past one song would flow into the other, but here I think the McMicken led tracks all tend to be the standout's, such as "Mirror Mirror", "Jackie Wants A Black Eye" and the highlight track of "Shadow People". That said the album as a whole really works, even with a condensed running time. Good to see Dr Dog can leave their home studio and make an album for Anti Records that feels like a step forward with losing any of their past.
#4 Noun - Holy Hell
I have talked about this album a bit before and even got to chat with Marissa about it, but I can't hype it enough. Over the last six months it has constantly been stuck in my head and I go back and listen to it all the time. Again I won't rehash too much of what I said before but the levels of song writing and playing here is really top notch and Marissa Paternoster is as obvious an up and coming star as I have seen in some time. From the powerful guitar tone and blast riffs on "Outerspace" to the deeply creepy "Black Lamb" to the piano epic "Call Earth", Holy Hell is heaven to the ears.
Since Don Giovanni still has it posted, I will embed the album again, but feel free to go buy it and support this great artist:
Noun - Holy Hell by Don Giovanni Records
#3 The Hold Steady - Heaven Is Whenever
as I mentioned with some of the choruses, Finn has been so amazing in my mind with lyrics that when something misses you are surprised, but as I grow and age living in this city I find more and more common ground with the lyricist. The music cooks from the group, again "Hurricane J" wasn't a favorite when it leaked pre-album, but it has steadily gotten better in my mind. "We Can Get Together" has risen to epic levels and the opening and closing duo of "Sweet Part of the City" and "A Slight Discomfort" are brilliant. Granted this is probably their third or maybe even fourth best overall release from tHS, but sometimes a group just speaks to you and I can't deny that The Hold Steady continued to do that to me as the year progressed via Heaven is Whenever.
#2 Rough Seven - Give Up Your Dreams
Rough Seven. Ryan Scully and company have put together a champion first release with passionate songs that burn all night, worming their way into your brain and heart. There are nights, usually when a couple have been tossed back, that "Good Out Weighs The Bad" is a must listen...which usually just ends up being a must listen to the full album. As I mentioned before the group brings so much honesty to the forefront with Scully's lyrics, the backing vocals and group interplay that it makes it hard to feel bad even while listening to songs that are focused around breakdowns and heartache. "Meltdown" and "St. Christopher" are also must hears as is the album opener, hell the whole thing is, grab it now and enjoy.
#1 The Black Keys - Brothers
The Brothers in this case are Dan Auerbach and Pat Carney and their sound has never been better. With the group going through some personal hardships it is fantastic to see them exploding (in a good way) as a band. Sure they have been raw and reckless but this huge album expands upon their sound and shows a flair for 70's soul that the group has not displayed before. This one states that the band has arrived, being lead by rhythms, primarily bass and drums, give the duo freedom to explore avenues they probably never would have traveled down. Sometimes it sounds as if there is sonic flair in one of the speakers, but it just turns out to be a new electric fuzz layer the group included like on "The Go Getter". When I first heard the album I knew it was something special, and it only continues to grow with each spin of the turn table, "Sinister Kid" is pure funking goodness and "Next Girl" is raucous. Mega standouts are the harpsichord laced "Too Afraid To Love You" and the closer "These Days", but the duo has an all time classic on their hands with Brothers from start to finish. Hopefully they will continue to incorporate these new found instruments into their sound (both live and in the studio) to continue the syrupy tunes that coat and satisfy.
So here's a recap of the top ten for those scoring at home:
1 - Black Keys- Brothers
2 - Rough Seven - Give Up Your Dreams
3 - The Hold Steady - Heaven is Whenever
4 - Noun - Holy Hell
5 - Dr Dog - Shame, Shame
6 - Surfer Blood - Astro Coast
7 - Titus Andronicus - The Monitor
8 - Arcade Fire - The Suburbs
9 - No Age - Everything In Between
10 - Cee-Lo Green - The Lady Killer
There you have it...agree? disagree? Did I completely space on something? Feel free to comment or throw tomato's...preferably fresh ones though...