In this ongoing Monday Series we will be exploring various artists versions of Bob Dylan song's. Today's tune comes from Margaret Glaspy and is a live cover of "In The Summertime"
Thoughts On Original: When Dylan started moving out from his 'Jesus phase' he wrote songs that could be interpreted as religious, but tended to be more spiritual. These became Shot of Love. Could "In The Summertime" be a straight gospel song? Sure. Is it "clearly and unequivocally an eloquent exposition of relationship with God"? Hmm, not so sure anything Bob writes is clear. Could it just use some religious touchstones to move things languidly along? Probably. Musically the tune is slow moving, as Dylan keeps it calm, working though the spiritual while tying it to the human experience in his own way.
Cover:
Thoughts on Cover Artist:
RtBE just recently discovered Margaret Glaspy, a NYC based musician. We are going to dig into her catalog because she is fierce.
Thoughts on Cover:
Anytime a cover makes RtBE go back and reexamine the original, or listen to a Dylan song with new ears, it is an instant win. This live cover from Glaspy and company is dynamite. Her singing, the musical space, the phrasing (both musical and lyrical) all of it works well as it moves more towards a love song than a gospel proclamation. Also the live audio capturing is fantastic, the fades and delicate playing is top notch.
On this day 55 years ago, Miles Davis released one of his most iconic albums, Bitches Brew.
While jazz purists scoffed at the electro based release, the album is his second best selling of all time (only behind Kind of Blue), and opened the doors for jazz fusion (and more rock in general) to enter the jazz world.
It is also one of RtBE's favorite albums of all time.
We search the murky back waters of youtube to find full concerts and post them to the site weekly, come back every seven days to help us celebrate Full Show Friday's. These shows are of varying quality and may not be here for long so enjoy them while you can...As always, please support the artist every which way, but especially by seeing them live (if they are still playing)...This week...The Prodigy!
Back to 2009 with The Prodigy live from Rock Am Ring for this week's Full Show Friday.
The UK based Charley Records specializes in reissues and earlier this year they re-released The Paragons, On The Beach. Originally available in 1967 on Treasure Isle, the rocksteady/reggae offering is a joyful listen with rich harmonies, great sound and flowing groove.
I see great things in baseball. It's our game - the American game. It will take our people out-of-doors, fill them with oxygen, give them a larger physical stoicism. Tend to relieve us from being a nervous, dyspeptic set. Repair these losses, and be a blessing to us.
Opening Day should be a national holiday, plain and simple. Once winter is gone (at least officially), Baseball can never arrive soon enough. Here's hoping your favorite team wins, especially if you are a fellow Mets fan. Let's Go Mets!
We know the ghost of Steve Goodman and Eddie Vedder are both rooting for those Cubbies...
Here are some more baseball inspired tunes to start the magical day, when we are all in first place:
For their sophomore release, Rosalie, the New Orleans based Silver Synthetic spirituallytraveled west and exhaled under some California sunshine, cruising effortlessly from Bakersfield down to Laurel Canyon. Weeping guitars and added pedal steel twang around restrained songwriting, relaxing the band as the riffs and breathy vocals ease out.
In this ongoing Monday Series we will be exploring various artists versions of Bob Dylan song's. Today's tune is a live cover by Daniel Widegren of the Dylan tune "Spanish Harlem Incident"
Thoughts on Original:
From the first time we tackled a cover of this tune: Easily one of my favorite early songs of Dylan's career, I love the sing-song playing of this tune and it's hints of his musical repertoire opening up. "OnTheCliffsOfYourWildCatCharmsI'mRiding" combined is such a sweet phrase and how he strung it out it is fantastic. You can see a young Bob becoming infatuated with a woman he saw, being inspired to write a tune that is filled with primal lust and sexiness. A song I have always wanted to learn to play and cover...but that is for another post...
Cover:
Thoughts on Cover Band: This is the first time we are checking out Daniel Widegren, a blues singer from Sweden.
Thoughts on Cover:
A cool fairly straight ahead acoustic run through of a pretty little song. Well done.
RtBE celebratesBob Dylan every Monday with our cover series, but today happens to be the 60th Anniversary of the release of his classic Bringing It All Back Home so we wanted to give it a shout out.
We search the murky back waters of youtube to find full concerts and post them to the site weekly, come back every seven days to help us celebrate Full Show Friday's. These shows are of varying quality and may not be here for long so enjoy them while you can...As always, please support the artist every which way, but especially by seeing them live (if they are still playing)...This week...DIIV!
We reviewed their newest back in August, this week they are our focus on Full Show Friday. Pro Shot, Pro Sound, Enjoy!
Robert Cray's was one of the best bluesmen to come of age in the 1980's and You Know I Feel Alright (Live in Chicago 1985) captures the artist during a very exciting period, just before his huge breakthrough album, Strong Persuader, which arrived the following year and brought Cray to legendary heights.
The NYC based duo Daisy The Great have a new single out "Ballerina"
Regarding the song the band say:
“Ballerina represents a childhood dream of perfection: something that is unattainable, but real enough to give yourself something to compare yourself to,” explains the band. “You look for the ballerina in the search for beauty, purpose, talent, body, and success — and prescribe it to the people you see around you and on social media, who seem to have that air of flawlessness. But the truth is they are also looking for ballerinas because we live in a society that feeds you this idea that even though you’re not perfect, someone out there is.”
The newest release in Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead series finds the duo working with a 88 year old Ghanian highlife and Afrobeat pioneer. Ebo Taylor: Jazz Is Dead 22 captures the elder statesmen Ebo Taylor still creating at a high level.
In this ongoing Monday Series we will be exploring various artists versions of Bob Dylan song's. Today's tune is a live cover by Van Morrison playing "Just Like A Woman"
There are a lot of songs about the greatest muse known to man, woman. This one may top the 60's generation when it comes to dealing with Mars and Venus. Respectful in one breath and slightly mocking the next, Dylan can sense the pain, and I think there is a clear honesty in those words. Well maybe "clear" is the wrong term to use, nothing is ever clear with this subject matter. Treating the topic honestly Dylan tackles the differences between the sexes and the difficulties of relationships. Bob nailed this one making it one of his all-time greats.
Cover:
Thoughts on Cover Artist: Van Morrison has some amazing albums and some not so amazing. RtBE are big fans of the era of Morrison that this song was recorded during.
Thoughts on Cover:
A slowed down dramatic live rendition that works with Broadway like hits and builds. Van the man always loved the drama. RtBE also had to pick an Irishman to cover Dylan today. Happy St. Patrick's Day.
The story goes...in the lead up to our first St. Paddy's Day gig our band (Angels & Vagabonds) were working on some traditional Irish songs to play and our lead singer/keyboard player Don McNally realized they were basically all the same chords just re-arraigned.
So the Irish American from Woodside, Queens, NYC dug into his past and crafted QBS. He brought it to the group and after a few tweaks it was ready for prime time, we actually played it only about a week after it was written.
A little inside baseball into our process, now go celebrate by hoisting a pint....Happy St. Paddy's!