Showing posts with label vinyl. Show all posts
Showing posts with label vinyl. Show all posts

Thursday, August 21, 2025

Album Review: Jessie Hill - Naturally

Jessie Hill 
Naturally
***and1/2 out of *****

For their newest vinyl release, the fantastic Tipitina's Record Club delivers a reissue of Jessie Hill's 1971 solo album, Naturally. The purple vinyl reissue includes the original innovative gatefold cover design, which included a rotating wheel. 

Wednesday, August 13, 2025

Album Review: Jack White - Break It All Down

Jack White
Break It All Down
***and1/2 out of *****

For the most recent Vault release from Third Man Records, the company focuses on their founder via Jack White's Break It All Down. The triple vinyl offering showcases White's recent (well reviewed) No Name Tour, as Jack and company stripped it down and went back to basic, heavy, rock and roll. 

Friday, April 11, 2025

Record Store Day is Saturday April 12th

So this weekend finds Record Store Day rolling around again and you can find a full listing of all the amazing offerings here. This is a great opportunity to support record stores and enhance your vinyl collection
There are a ton of special things on that list that we would love to own and hope you can help support this great cause as well.

A few offerings that caught RtBE's eye:

Tuesday, March 4, 2025

Album Review: The Wild Tchoupitoulas featuring The Neville Brothers - New Orleans '77

Hey all, got a review up @glidemag which you can read Right C'here:

It is of The Wild Tchoupitoulas featuring The Neville Brothers - New Orleans '77. RtBE was so happy to receive this installment from the Tipitina's Record Club. The vinyl itself is super cool and has a "king cake" paint splatter that is unique and great. Perfect for Mardi Gras day.

As stated in the review, a historic and funky show. 

Support the artists, buy the album, read the review, and peep some video below:


Thursday, February 6, 2025

Album Review: James Black - The Funky Sides of James Black

James Black
The Funky Sides of James Black
*** out of *****

The newest entry into the excellent Tipitina's Record Club, is this yellow vinyl collection of music from New Orleans based drummer James Black. The record is split between his sideman work on side A and a few tracks from his unreleased solo album on the B side. 

Thursday, January 23, 2025

Album Review: Miles Davis - Miles '54: The Prestige Recordings Box Set

Miles Davis
Miles '54: The Prestige Recordings Box Set
**** out of *****


Miles '54: The Prestige Recordings Box Set was released in December 2024 to celebrate the 70th anniversary of these recordings on the Prestige label, which capture Miles Davis in a transitional year of his career.  Remastered from the original recordings the sound is crisp and lively as Davis and a rotating cast of players still sound fresh all these years later. 

Wednesday, December 11, 2024

Year In Review 2024 - Favorite Archival Releases

Each year the music industry dips into the past to deliver box sets, live albums, re-masters and outtake collections to sell to the music loving masses (present company included). This look back will round up some of RtBE's favorite archival releases from the past year. 


Usually these releases can fall into the money grab category, not really adding much outside of revenue for the label and (hopefully) the artist. Every now and then though some spectacular collections are unearthed and are worth any price. 


RtBE includes live albums in this category, since they were recorded in the recent or distant past and thus fall into archival release status. 

With the increase in vinyl, and enhanced Record Store Days to help smaller sellers, there are more and more archival releases each year. RtBE are sure to miss a lot of them, but the quality and abundance is exciting. Post your favorites, or any we may have missed, in the comments. 

These were our favorite archival releases of 2024, click the link in the title for full reviews.

Tuesday, November 26, 2024

Album Review: Bob Dylan & The Band - The 1974 Live Recordings: The Missing Songs From Before The Flood

Bob Dylan & The Band
The 1974 Live Recordings: The Missing Songs From Before The Flood
****and1/2 out of *****

The 61st release from Third Man Records Vault Series is a doozy, a triple vinyl collection The 1974 Live Recordings: The Missing Songs From Before The Flood from Bob Dylan and The Band. The title says it all as these are the songs that did not make the classic 1974 live album but were played live that tour. Each show was professionally taped so the quality and performances are top notch throughout. 

Monday, November 18, 2024

Album Review: Taj Mahal - Solo - Live at Tipitina's New Orleans 1980

Taj Mahal 
Live at Tipitina's New Orleans 1980
*** out of *****

"Keep those 'shoo-be-doo-be's' going" Taj Mahal implores the crowd during the opening number, "Gonna Move Up To The Country", captured her on Live at Tipitina's New Orleans 1980. The album comes from the Tipitina's record club on a gorgeous turquoise platter with pristine sound and production that captures the artist and crowd energy on this night.

Thursday, July 18, 2024

Album Review: Sister Gertrude Morgan - Let's Make A Record

Sister Gertrude Morgan
Let's Make A Record
*** out of *****

The fantastic Tipitina’s Record Club’s newest release is a reissue of Sister Gertrude Morgan's only full length release, 1971’s Let’s Make A Record. This singular gospel rarity arrives on white vinyl, the same color Morgan wore once she became a bride of Jesus, preaching her sermon throughout New Orleans.

Wednesday, June 19, 2024

Album Review: Rebirth Brass Band - Feel Like Funkin' It Up

Rebirth Brass Band
Feel Like Funkin' It Up
****and1/2 out of *****

The newest release from the Tipitina's Record Club is a reissue of the Rebirth Brass Band's classic album Feel Like Funkin' It Up presented on super cool, cream soda colored vinyl. This is the first vinyl release of the record since it was originally offered in 1989.   

Tuesday, February 13, 2024

Album Review: Earl King - Street Parade

Hey all, got a review up @glidemag which you can read Right C'here:




It is of Tipitina's Record Club release of Earl King's Street Parade!

Happy Mardi Gras!!!

Support the record club, read the review and peep some video below:

Thursday, January 18, 2024

Album Review: Clifton Chenier and his Red Hot Louisiana Band - Live at Tipitina's

Clifton Chenier and his Red Hot Louisiana Band
Live at Tipitina's
**** out of *****

The most recent release from the fantastic Tipitina's Record Club is this unique capturing of the legendary Clifton Chenier who played zydeco, R&B, and Cajun music in a distinct fashion; keeping dance floors throughout the south good and sweaty. This vinyl release is from a warm night in 1980 as his Red Hot Louisiana Band display their dynamic range. 

One of the interesting things about this capturing is the band Chenier plays with. His core partners of his son CJ on alto sax and Cleveland his older brother on Frottoir, had been playing with Clifton for years. They are here with longtime collaborators Robert St Julien on drums and Jumpin' Joe Morris on bass but this show also has featured the killer Sonny Landreth on guitar along with Jerry Conrad on B3.  

This impressive collection of musicians dive right in with the upbeat Cajun blues of the strolling "Calinda". Clifton sings in French as he commands the stage, vamping and moving with ease while the sax work and organ pair beautifully; a reoccurring theme throughout this show. The accordion great gets his full on zydeco pumping for  "Louisiana Two Step" before the blues pour out on the cooking "Everybody Calls Me Crazy" which finds emotive singing from Clifton. 

The bands first true cover pops up next with their take on Ray Charles' classic "What I'd Say" and they do not disappoint. The revved up take uses energetic singing, a smoking tempo, and hip shaking goodness all around as the full band hit their stride. 

Side two starts with Clifton's take on the Coasters "I'm A Hog For You Baby" as the Cajun blues gets some zydeco touches before "Party Down (At The Blue Angel Club)" once again goes full bore with zydeco letting Clifton, CJ, and Cleveland dominate the stage. While Landreth had impressive moments, he steals the spotlight on the hardcore "Three O'Clock Blues" as his lead slide runs and dynamite guitar playing shines bright, while Conrad's B3 work is also majestic. 

The album wraps up with Clifton's version of "Feelin' Happy" which pays tribute lyrically to Blind Lemon Jefferson and Big Joe Turner, pulling the blues into the swamps as the group gets down in 50's R&B style to close the night.  

Almost as impressive as the music is the detailed linear notes from Todd Mouton, author of the book Way Down in Louisiana: Clifton Chenier, Cajun, Zydeco, And Swamp Pop Music. The notes give historic context to the performance, as well as dive into this musical world with vigor. 

Another excellent release from Tipitina's Record Club, Clifton Chenier and his Red Hot Louisiana Band's Live at Tipitina's is recommended to those who are longtime fans of the artist and those who are brand new to his zydeco sounds as well. 
_______
Join the record club and peep some video below from "Louisiana Two Step" live from 1982:


Wednesday, December 27, 2023

Album Review: Sonic Youth - Live in Brooklyn 2011

Sonic Youth
Live in Brooklyn 2011
**** out of *****

The final US show the fantastic Sonic Youth ever played is captured on this special release as the August 12th 2011 Williamsburg, NYC Waterfront set from the noise rock legends is now available on vinyl from Silver Current Records. 

Having attended this show, which at the time no one knew would be the bands last, there was a sense of something special in the air. The previous few years found the band revisiting past albums with strong shows, but this career ranging affair was unique and powerfully played. Lovingly captured here, this gorgeous night from the hometown band will now live on. 

The setlist was created by drummer Steve Shelley and as he explains it:
“This show was a culmination of a run of really special outdoor summertime shows in New York City for us, starting in ’92 with Summerstage in Central Park when we played with Sun Ra. For the Williamsburg Waterfront show I wrote out the set list to present to the band and it was a lot of material we hadn’t played in a while, a lot of deep cuts, so I wasn’t sure if everybody would feel like doing it. After worrying about which songs the band might say yes or no to, I threw those concerns out the window and I just made a list of songs that I thought would be a great set. We practiced the week of the show at our space in Hoboken and put the set together. First we’d try and make sure we had a guitar in the song’s tuning, then we’d try to remember the arrangement and try and put it together, sometimes re-learning bar by bar. In the end I think the whole song list made it through. Even as early as ’86 and ’87 we stopped playing ‘Death Valley 69’ and ‘Brave Men Run’ with any regularity. We’d just get excited about new material coming into the set and songs would get ‘retired’ and wouldn’t get played again for years. So on this particular night in Brooklyn a lot of those retired songs and deep cuts got dusted off and played for this show. It turned out to be a pretty special event with a really special song list.”
The band (Kim Gordon - voc, gtr Mark Ibold - Bass Thurston Moore - voc, gtr Lee Ranaldo - voc, gtr Steve Shelley - drums) tore into this old material right off the bat with that combo of "Brave Men Run (In My Family) > "Death Valley ’69" deploying scratchy layers of guitars, feedback, rumbling low end, and desperate vocals to recall the groups early noise days with passion and energy. 

Another old warhorse noise number "Kotton Krown" found Moore singing the prophetic words for this night, "New York City is forever, kitty I'm wasted in time and you're never ready Fading, fading, celebrating". Shelley puts his powerful drums to work with the head banging "Kill Yr. Idols" while Ranaldo gets the crowd revved up to go on "Eric's Trip". The muscle car guitars and motoring sounds continue for "Sacred Trickster", the cataclysmic "Calming The Snake", and the grooving "What We Know" all off of the bands final album (the underrated The Eternal), these were the newest song played on this evening, yet all fit in with the deep cuts/classics wonderfully.    

Speaking of deep cuts, "Starfield Road" is up next with crushing bass from Ibold, while the free jazz gets rolled out for the extended screeching and pounding of old school tunes "I Love Her All The Time" and "Ghost Bitch" from the early days of SY. The slow burn of "Tom Violence" builds with sexy power while the unhinged screaming guitars and Gordon's strong vocals slam on "Drunken Butterfly" ending the main set of tunes. 

The encores on this night were special as the group continued to delve into their past with feminist force of "Flower" and a rare "Psychic Heart" from Moore's solo career. Both were nice, but it was a gorgeous rendition of the band's "Sugar Kane" that really hit the sold out summer crowd squarely in the chest, the highlight of the whole night. 

Feeling extra giving the band returned for a second encore that saw them dig deep and unleash the chugging, noise rock blast of "Inhuman", ending the night, and basically their whole career, on loud clanging feedback, just the way these legends should.  

__________
On a personal note, Sonic Youth are one of our all-time favorite acts, and  RtBE has owned an audience taped copy of this show since it happened, so the music is well loved to these ears. It is nice to now own a soundboard recording on vinyl, but it is also bitter sweet as the band was still kicking ass at such a high artistic level when they broke up. It is another reminder, like with the recently broken up Screaming Females, enjoy this amazing music live while you can. 

Support the artists, buy the album and peep some video below:


Thursday, December 21, 2023

Album Review: Neil Young - Odeon Budokan

Neil Young 
Odeon Budokan
***and1/2 out of *****


Mid 70's Neil Young was incredibly prolific, following his notoriously finicky muse anywhere it directed him.  After his Ditch Trilogy, Young reunited with a revamped Crazy Horse as Frank "Poncho" Sampedro took over the second guitar slot, and the band released the fantastic Zuma. The tour supporting that album took them across the globe, and this vinyl Record Store Day release captures the opening solo acoustic set at the Hammersmith Odeon on March 31st, 1976 and the second side features the closing full band electric sets at the Nippon Budokan Hall on March 10th and 11th, 1976.

Originally slated to be released in 1976, like many of Neil's albums it was shelved and the first time this show was official heard was in the large Archives Volume II Box Set,. Now, having been pulled out for a special vinyl release, it can be showcased individually. Both Young and the Horse are on top of their game here.

The opening acoustic outing finds Young in a playful mood, even telling the crowd they need to elect a spokesperson for requests. On the opener, "The Old Laughing Lady", Young sings additional lyrics, titled "Guilty Train" before the pristine solo version of "After The Gold Rush". Mixing hits like that and "Old Man" with lesser known acoustic numbers like "Too Far Gone" and "Stringman" really speak to Neil's range and his ability to show the crowd his individual talents. 

The second side finds the electricity crackling as Crazy Horse amps the wattage. A solid stomping version of "Don't Cry No Tears" kicks off the set that features a strong "Cowgirl In The Sand" a rare "Drive Back" and the album highlight, a meaty delivery of "Cortez The Killer". This first outing of a revamped Horse holds it's own. Even better is Sampedro's retelling of playing this show which is worth posting here:
"Billy and I both dropped acid because that night, after the show, we were flying to Copenhagen. We didn’t want to carry any drugs with us and I had these two tabs of acid. We each took one. It was so funny...everything was starting to get crazy. Psychedelic patterns and shit flying around. I didn’t talk to anybody all night on-stage. I kept my eyes closed most of the time. Only a couple of times I opened them. The first time was horrific. I hit my guitar strings and I saw them bounce off the floor and up to the ceiling in rainbow colors. I was just like, 'Oh, shit.' I kept feeling them on my arm! The vibrations coming off the strings "We did 'Cowgirl in the Sand' and Billy and Ralph went up to sing the backgrounds. I opened my eyes and saw big mandalas comin' out of the back of both their heads, all these colors and shit. I couldn't even look up, I was so high. I'd hit the strings of my guitar: they were like eighty different colors, and they bounced off the floors and hit the ceiling. At the end of the second song Neil came runnin' over, stuck his head between me and Billy and goes, 'Man, we're psychedelic tonight!' I just looked at Billy, thinkin', 'He told him, he told him.' The whole rest of the night I don’t even think we made a mistake. It was unbelievable."
While the record doesn't reach true psychedelia heights that Poncho experienced on stage, it is still a strong capturing of this mid-career Neil Young and Crazy Horse lineup and a solid edition to Young's already impressive official live albums

____
Support the artist, buy the vinyl and peep some video below:


Tuesday, February 21, 2023

Album Review: Donald Harrison - Indian Blue

Donald Harrison 
Indian Blues
***** out of *****


The fantastic Tipitina's Record Club newest offering is a re-release of a criminally under-appreciated, Indian Blues by Donald Harrison. Originally released in 1992 to mixed reviews, now a gorgeous gun-smoke gray double vinyl houses this unique mix of jazz, New Orleans Black Masking Indian chants, funk and R&B complete with new packaging and original linear notes from Lee Jeske. 

If you have seen the HBO show Treme, there is a storyline regarding Delmond Lambreaux trying to fuse his high brow, NYC influenced jazz with his NOLA roots. While the viewer never gets to hear the full results, this is them, as the character was based on Harrison himself who consulted on the show. Harrison took his work with Art Blakely's Jazz Messengers and his upbringing as the son of Big Chief Donald Harrison Sr. and combined them with immense success.

These songs are enchanting and energizing, mysterious and open; a meld of styles that completely works on every level. With a supporting cast of Dr. John, The Guardians of The Flame Mardi Gras Indians and jazz professionals like Cyrus Chestnut (piano), Phil Bowler (bass), Carl Allen (drums), Howard "Smiley" Ricks (percussion), and Bruce Cox (tambourine). The record moves through the influences, at times blending, at times separating, but always engaging. 

Donald Harrison Sr. is a large presence on the album as well, singing lead vocals on three tracks as he raised Donald Jr. in the Black Masking Indian tradition. Opener "Hu-Ta-Nay" drops the listener directly into a full fledged Indian practice session (with smooth sax) that is soaring. A killer opening as Dr. John and Harrisons sax work do the lead call to the background response. 

The whole double album should be experienced as each song shines bright, whether it is the latin flair of "Hiko Hiko" which gives the classic New Orleans tune some spice before breaking mid-song into a gorgeous piano stroll or the moody version of "Indian Red" which takes the wild man out of it and substitutes smooth bass work and moody atmospherics. Harrisons horn work is everywhere, slick and confident the leader of this unique collection directing everything with an air of grace. 

The dynamic "Uptown Ruler" moves in many different directions but always flows towards freedom with exciting horns piano and percussion. The tight flowing "Big Chief" is a fast moving track which gets cooled out by Harrison's sweet horn as it seamlessly slides into "Walkin' Home" before "Shave'Em Dry" gets some swagger on to end the record with a smile and a strut. 

Jeske's excellent linear notes equate the album to walking between stages at New Orleans Jazz and Heritage Festival and picking up flavors from all that makes New Orleans great, which is true, but there is also a larger sound that links it all. It all started here, in the swamps, fields and specifically at Congo Square in New Orleans, Harrison and crew instill the songs with sophistication without ever sacrificing the soul of the music.    

This album has been an RtBE favorite for years and this gorgeous vinyl only makes the experiment that much sweeter.  A joyful mix of New Orleans sounds throughout history, Indian Blues by Donald Harrison is a dynamite listen from start to finish. 
__________________________
Join the record club, buy the album and peep some video below:

Thursday, October 13, 2022

Album Review: Johnny Adams - After All The Good Is Gone

Johnny Adams
After All The Good is Gone
***and1/2 out of *****

The newest vinyl offering from the fantastic Tipitina's Record Club is of Johnny Adams After All The Good Is Gone, originally released in 1978 on Ariola Records. The music is presented on heavyweight 180g gold colored vinyl with linear notes regarding Adams music for this release and beyond, written by multi-Grammy winning producer Scott Billington. 

Wednesday, December 8, 2021

Year In Review 2021 - Favorite Archival Releases

Each year the music industry dips into the past to deliver box sets, live albums, re-masters and outtake collections to sell to the music loving masses (present company included). This look back will round up some of RtBE's favorite archival releases from the past year. 

Usually these releases can fall into the money grab category, not really adding much outside of revenue for the label and (hopefully) the artist. Every now and then though some spectacular collections are unearthed and are worth any price. 

RtBE includes live albums in this year end review as well, since they were recorded in the recent or distant past and fall into archival release status. 

With the increase in vinyl interest and enhanced Record Store Days to help smaller sellers, there seem to be more and more archival/live releases each year, we are sure to miss a lot of them, but the quality and abundance is exciting. 

These were our favorite archival and live album releases of 2021, click the link in the title for full length reviews. 

Thursday, June 24, 2021

Titus Andronicus Celebrate The Monitor with Vinyl and Tour

2020 was the ten year anniversary of one of RtBE's favorite records of the last decade, Titus Andronicus' The Monitor

To commemorate the event there will be a vinyl double album release and a tour this November focusing on the record. 

Back when we wrote about our top 50 albums of the last decade, The Monitor placed super high as we loved the over the top rambles, the connection of Civil War to 2010 New Jersey (things have only gotten worse) the anthemic scream-a-longs and Patrick Stickles whole musical style on this record. 

Stickles also said something very interesting regarding the anniversary's delay:

"As the 10th anniversary came and went, I considered scrapping the whole thing, but my audience has helped me so much to endure during this difficult time, and knowing how much they themselves have had to endure, I couldn't ignore or deny that they deserve a little treat. After so many years of doing whatever I want, for once, I'm going to give the people what they want."

That is great, and very honest. RtBE can't wait to own the vinyl and catch the band live. To get pumped here is a tune from the record:


Wednesday, May 26, 2021

Live Stream: Miles Davis Birthday/Kind of Blue Vinyl Release

With live music on lock down (like everything else currently in New York City) live streams and old concerts have become essential for live music junkies like RtBE. While this current state of pandemic separation is in order we will highlight various shows/streams/virtual events for your viewing and listening pleasure and you can always check out or weekly Full Show Friday series for concerts from the past. Please support the artists any which way you can.


Today we highlight: Miles Davis Birthday/Kind of Blue Vinyl Release

Three great musicians, Ron Carter, Christian Scott aTunde Adjuah, and Vince Wilburn Jr. join Ashley Kahn and Chad Kassem to celebrate Davis's Birthday and the release of Kind of Blue on UHQR quality vinyl.
We wrote a bunch about Miles in our Masters series and to get in the mood for this event, here is a tune from Kind of Blue: