A site dedicated to culture with a focus on popular music; from the fringes to the forefront.
Monday, September 1, 2025
Live Review: The Who - 8/30/25 Madison Square Garden, NYC
Tuesday, May 31, 2022
Live Review: The Who - Madison Square Garden 5/26/22
Hey all, got a review up @glidemag which you can read Right C'here!
It is of The Who's live show on Thursday May 26th at MSG in NYC.
I went in not knowing setlists or what The Who Two were doing this tour and was simply blown away. RtBE have written about The Who in our Masters series and hold them in super high regard, but seeing them live these days has not been a major priority...this show might have changed that.
Starting with a half hour straight of Tommy and ending with Quadrophenia?! 8,395 person orchestra??! Amazing. Daltrey was in fine voice and Pete was engaged throughout, this was a killer night of wide ranging rock.
Support the band, catch them live, read the review and peep some video below:
Wednesday, September 18, 2019
The Masters: The Who - Best Live Albums
Townshend says “I’ve heard Roger talk about it as a jam session, but it wasn’t a jam session. It was just Jimi on a chair playing at me. Playing at me like ‘Don’t f—k with me, you little sh-t.’”
The musical quarrel came down to Townshend’s insecurity over The Who playing after Jimi Hendrix at Monterey, a gig that he considered to be a “critical concert.” Attempting to negotiate with Jimi didn’t go well, as Hendrix said “that’s not what you really mean. What you really mean is that you don’t want me to go first. You want to be first up there with the guitar smashing,” to which Townshend replied “Jimi, I swear, that’s not what it’s about.”
In the end, the discussion cooled down and Hendrix suggested a coin toss to determine who would go first and The Who came out on the winning side of that toss.Watching Hendrix’s performance later from the crowd with Mama Cass, she told Townshend, “he’s stealing your act” and Townshend said “no, he’s not stealing my act – he’s doing my act.” Explaining further, Townshend says “for me, it was an act and for him, it was something else. It was an extension of what he was doing.”
So let's get to their top five live albums below. As a reminder this list is meant to start conversations, not end them....
Friday, September 13, 2019
Full Show Friday: The Who Live in Houston, TX 1975
Wednesday, September 4, 2019
The Masters: The Who - Best Studio Albums
Thursday, December 14, 2017
Year In Review 2017- Favorite Live Show
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| Taken By The Fantastic Megan Donohue |
Wednesday, September 13, 2017
Live Review: Classic Quadrophenia Live 9/9/17 @ The MET NY, NY
It is of Pete Townshend's Classic Quadrophenia Live at The Metropolitan Opera House in New York City. For those new to RtBE Quadrophenia holds a special place in this sites digital heart, it is our favorite album of all time.
We can write a book on the album and should probably do something based around that at some point, and we have seen the band do it in 2013 down by the Sea and Sand in Atlantic City. That show had some issues, but we had a fucking blast. Same with this show, it was goofy, over the top and not true to the original...but we had a great night anyway.
The venue was gorgeous, company was top fucking notch and the music was divine. Enjoy the review, feel free to catch it live if you can, buy the vinyl or DVD. Hey and peep some video below:
Thursday, June 15, 2017
Classic Quadrophenia Comes To Metropolitan Opera House
Pete Townshend''s amazing Quadrophenia will be supported by a full orchestra and vocalists including Billy Idol this September for four United States shows. We are pumped to be hitting the September 9th show at the pristine Met Opera House.
We have talked about this before on the site, but this is our all time favorite rock and roll album. While we saw The Who play it by the Sea and Sand a few years back, catching it in this fashion will be exhilarating...and being able to walk up to the venue is a sweet touch as well.
Here is some video to get you prepped for the fall shows, and a full list of the mini tour is below:
September 2 – Lenox, MA @ Tanglewood
September 9 – New York, NY @ Metropolitan Opera House
September 10 – New York, NY @ Metropolitan Opera House
September 16 – Los Angeles, CA @ The Greek Theatre
Friday, February 12, 2016
Full Show Friday- The Who Tommy USA 1989
After the frigid January Jazz month we usually like to go big names for February. The Who are one of our favorite rock bands, but Tommy was never up there as far as their albums go for RtBE. Quadrophenia is number one, by far. We would go Who's Next two then a big drop to, A Quick One three probably just ahead of Tommy.
That's not including live albums though and today's live performance of Tommy comes from the bands 1989 tour. Entwhistle on bass, but no Moon on drums. "The Who Three" so it be, with lots of guests including Phil Collins, Billy Idol, and Elton John. Pro shot, Pro Sound Pro Players...enjoy:
Tuesday, December 17, 2013
Year In Review 2013- Favorite Live Show of 2013
Live Music Has No Equal.
Wednesday, May 15, 2013
You Know What the Date and Time Are?
We haven't touched much on Quadrophenia on the blog but anyone who knows me or Wilson (who contributes and edits sporadically) has heard us go on (at length) about the greatness of this album.
We even went to see The 2 Who (they aren't close to the original band) with Hottub and Jeff this Feburary when the tour rolled into AC. What better place to go to hear Quad then by the Sea and Sand?
We didn't review the show because we could have written a book about the experience. It wasn't all roses but it was pretty god damn monumental personally for us. More will probably be recapped down the road regarding that, but for NOW on 5/15 at 5:15 please play that song up there as loudly as humanly possible and enjoy...
Friday, January 25, 2013
Full Show Friday: The Who- Live At The Royal Albert Hall
After last weeks quick burst of punk rock we got a long one for you today. We will be seeing The Who, live by the Sea and Sand in a few weeks playing what RtBE considers the best Rock and Roll album of all time live...to say we can't wait is an understatement. Of course it isn't going to be life altering, 2 main parts of the group are dead and those parts are what we like the most on Quadrophenia...the bass and drum. Anyway, that doesn't take away from this amazing video, with John Entwistle still alive and kicking...well thundering is more like it. This was a charity concert for the Teenage Cancer Trust where the Who had some friends join them, in what could be one of the last truly great live Who shows.
Highlights are of course the Quadrophenia songs with Townshend doing "Drowned" acoustically (with a pump fake beginning), Entwistle slapping a mean solo in "5:15" and guest Eddie Vedder helping out on "I'm One"!!! I also dig this version of "Bargain", the explosive "Won't Get Fooled Again" and "Gettin In Tune" a criminally underrated Who song. Hell the whole facking show rocks!
Enjoy the Who from the Royal Albert Hall
0:00:00 - I Can't Explain
0:02:34 - Anyway, Anyhow, Anywhere
0:07:14 - Pinball Wizard
0:11:13 - Relay
0:19:30 - My Wife
0:26:55 - The Kids Are Alright
0:34:36 - Bargain
0:41:30 - Magic Bus
0:51:32 - Who Are You
0:58:39 - Baba O'Riley
1:05:29 - Drowned
1:11:54 - Heart To Hang Onto
1:16:53 - So Sad About Us
1:21:14 - I'm One
1:24:31 - Behind Blue Eyes
1:28:20 - You Better Bet
1:34:12 - The Real Me
1:40:34 - 5'15
1:52:43 - Won't Get Fooled Again
2:02:24 - Substitute
2:05:48 - Let's See Action
2:11:10 - My Generation
2:16:39 - See Me Feel Me
Monday, March 7, 2011
Dylan Cover #5 Pete Townshend "Girl From The North Country"
Thoughts on Dylan's Original:
A fun little number that connects Dylan with folk's past. I heard Simon and Garfunkel's "Scarborough Fair" first when I was growing up so I have always been a bit more partial to that version of this old folk tune even though Dylan changed a bunch of stuff around (obviously) with his recording that appeared on The Freewheeling Bob Dylan. His duet with Johnny Cash that highlights Nashville Skyline is something else entirely, a major sonic effort that I love. On an album that saw so many massive tunes come flowing out of the bard this one can be overshadowed yet his first version of this track is just a sweet folk ditty that has aged very, very well.
Cover:
Thoughts on Cover Artist:
Townshend is one of the greatest rock and roll artists ever...his band was epic, no one can talk about rock and roll with greater accuracy and his albums are some of my favorite of all time; safe to say he is a legend around RtBE parts.
Thoughts on Cover:
When Pete introduces the song he says it is based on a different cover of Dylan's tune and has "eerie parts" Roy Harper's version was bit more sped up then the original and Pete playing here at Woodstock 98 follows that route. To be honest I wanted it to be eerie-er if that's a word. The piano and string sounds are nice flairs, and Pete's picking on the tune gives it vibrancy, but it never really expands on the original a whole lot. This is a simple song, this is an admirable cover, but nothing earth shattering. I do really enjoy his singing on this one though so that pushes it up a notch getting a bit fired up towards the end.
Grade - C+
Wilson's Take-
Over the years, "Girl From the North Country" has served Dylan's Neverending Tour well, proving to be the middle-set gem amid the croaking politics and token rockabilly of these late years. It's a haunting tune that embraces the timeless power of human sentiment - making it just as relevant in 2011 as it was in 1963.
It's easy to say "nothing will ever touch the original." But if you're going to take a classic tune for a ride down a new road, it's helps to be Pete Townshend. He injects creative flourishes into the song - adding new depth - and updates the emphasis sung over fifty-year-old stanzas. All too often on cover songs, we see an artist trying to do their "own thing," either to pay homage while avoiding a comparison with the creator, or simply to strike out on their own. Pete goes right after "Girl From the North Country" at Woodstock. He immerses himself in the original, and with an emotional depth one expects from the maestro of Quadrophenia and Who's Next, offers a rendition of the song in a way that suggests he understands it better than the guy who wrote it.








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